Category Archives: Historical Links / Pre-Independence

On foot and two wheels, city finds its legacy

Luknow :

Nearly 200 citizens took part in Lucknow Heritage Walk-Kaiserbagh and Lucknow On Cycle (LOC), organised on the occasion of World Tourism day by the state department of tourism along with The Times of India and NBT with support from NGO Itihas which is working in the field of heritage conservation. Old and the young evinced special interest to know more about Lucknow.

Major General R S Malave who participated in the cycling event termed it as a good and timely beginning. “We are trying to create a similar heritage circuit in Lucknow Cantonment, which has heritage buildings such as Dilkusha and will co-ordinate with the district administration for the project,” said Malave.

Retired bank employee P K Shinde was of the view that such events must be held at frequent intervals. Shinde said, “Cycling on roads of Lucknow and on a Sunday was a fantastic experience. There were many things we came to know. Such events will help even tourists and visitors learn something about the city.” Ramkrishna from Hyderabad, along with Telugu speaking Lucknowites Satish and Satya Narayan said, “The Biryani link between Hyderabad and Lucknow is there, but events like this would attract people from far and wide.”

Conducting the walk, Smita Vats highlighted the cooling features of Taikhana. Meanwhile, a monkey hopped from a banyan tree and sat on a participant’s cycle for five minutes, giving all opportunity click pictures.

Buoyed by the availability of cycle tracks, Lucknow district administration is mulling some in Old City, especially in the Hussainabad area. District magistrate Raj Shekhar said, “We are proposing cycle tracks around Bada Imambara, Chhota Imambara, Clock Tower, Picture Gallery, KGMU, Tile Wale Masjid, etc. Once the cycle track is in place, Hussainabad Trust will start a free cycle kiosk with 100 bicycles for tourists at Bada Imambara, free of cost for 2-3 hours on deposit of photocopy of ID card.”

The DM went to Bada and Chhota Imambaras, Clock Tower, Rumi Gate, Satkhanda and Kaiserbagh. The DM said such events should be made a part of Lucknow’s annual tourism calendar. “It was a ride of around 6-7 kilometres. It was a great fun and also rare learning experience for us. It is a healthy tourism practice which will save lot of time, parking space and have added health advantage. But it needs more coordination with tourist police, co-ordination with LMC, traffic police, an escort vehicle with loud hailer and need of cycle track in the above areas. Once stabilised it will be a special attraction of Lucknow tourism,” the DM added.

Cold, filtered water 500 litres each at Bara and Chhota Imambara and 200 litres at Picture Gallery are also being planned. DG tourism Amrit Abhijat complained about the lack of cleanliness on Kaiserb

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Lucknow / TNN / September 28th, 2015

Aligarh dairy farm: A Colonial-era legacy lost in time

Aligarh :

In a quaint corner of the nondescript Aligarh village Cherat, time seems to have stopped several decades ago. A pile of rust iron, an old Ambassador, a dust-laden Royal Enfield, a few worn-out offices where locks are still hanging but the doors have given way — are all that is left of the iconic Aligarh Dairy Farm, set up in 1899 by the legendary Swedish dairy expert Edward Keventer.

The once sprawling farm seems like a ghost town now. It has rugged towers watching over a deserted stretch which is being gobbled up slowly by overgrowth of foliage. There are dilapidated quarters with no population and even a railway track which hasn’t seen a train in decades.

Keventer, who was appointed by the British government in 1890 to ensure good health of their soldiers in India, came to India the same year, strengthened his knowledge on dairy products and developed a unique and efficient dairy purification technique that marked the beginning of the Keventer saga. By 1899, he had established a strong network of dairy farms and plants, promoting modern dairy technology. He set the Aligarh Dairy Farm in the same year.

His business flourished and expanded rapidly across Karachi, Rangoon, Calcutta, Lucknow and Delhi, reaching its peak between 1908 and 1920. His dairy products became so popular that British King George V conferred on him a Royal charter for supply of fresh dairy and farm products.

Aligarh farm began to lose sheen soon after Keventer’s death in 1937 and the departure of the British from the country in 1947 further pushed it into oblivion.

In 1948, the Uttar Pradesh government took over this farm and renamed it Central Dairy Farm. It worked well until 1998 when it ran into losses and went out of business. Piling up liabilities as well as a host of court cases made it financially unviable, said officials.

Chief veterinary officer RK Yadav told TOI, “In 1948, the entire farm was given to the UP government. It was well-maintained and functioning. The ghee, butter, cream and pork was supplied to different states as well as the Army till 1998. After that, the farm stopped functioning because it came into losses and many court cases were filed against it. There are about 150 court cases against Central Dairy Farm at present.”

In another corner of the sprawling 1,700-acre Colonial-era farm, the state government runs a pig breeding centre, currently under the animal husbandry department.

As spiders listlessly make life-size cobwebs around the century-old farm’s rusted gate, its fate remains equally uncertain in the government files gathering dust in the faraway state capital.

“There are many court cases, and then there are different departments in the administration vying to get this farm. Some want to convert it into a green belt. Whatever the government decides will shape the future of this farm,” farm in-charge Abhinesh Pal Singh told TOI from Lucknow.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> Cit> Agra / by Eram Agha, TNN / September 09th, 2015

UP Tourism Department to put Draupadi’s home town on the tourism map of the state

Uttar Pradesh Tourism Department is collaborating with the Draupadi Dream Trust to put the Draupadi’s home town Kampilya in Uttar Pradesh on the tourism map of the state.

Neera Misra who is a resident of that area and has been carrying out a extensive research on Draupadi for the past several years said that they have already sent a proposal to the UP Tourism Department for the formation of the Kampliya-Sankisa Heritage Development Board for its development.

A senior Tourism official while talking to “The Pioneer” said that the the proposal for the Board has been sent to the various Government Departments for NOC. “After receiving the NOC from the various departments it will be sent for approval for the next cabinet” he said.

Neera Misra who has actively mooted for the project said that this it is necessary to highlight Draupadi who was the first iconic women who spoke against the prevalent traditions and was a great inspiration for women empowernment.

She said that the main aim of the exercise was to recognize the enhancement of the status of girls and women of this region, and UP as a whole and bringing positive change in attitude towards women “In the words o Ram Manohar Lohia –“If I have to Choose between Sita and Draupadi, I would always look upon Draupadi as the ideal woman. It is very important to highlight Draupadi” she said.

Giving a brief history of the place she said that Farrukhabad is under Kanpur Commissioner and formed part of erstwhile rich Panchala Janapada mentioned in ancient Texts which comprised of Kanpur, Farukhabad, Bareilly Badaun, Shahjahanpur, Etah, Etawah Mainpuri, Rampur districts.

She said that Draupadi’s Kampilya was now a kasba in Tehshil kaimganj and has as a Nationally Protected site of ASI

“If we talk about the highlights of Kampilya there is Kapil Muni’s ‘Tapasya Sthal’ and Kampilvasini Mandir, Rameshwar Mandir (Shiv linga) established by Shatrughana and Lakshmana, Kaleshwar Mandir established by Draupad. It was visited by Buddha, Chinese Traveler Fa-Hein and Alexzendar Cunningham, Surveyer General of ASI” she said.

She said that as per the Development Plans Phase I, II they had proposed DPR – Infrastructure Development to Develop Farrukhabad (U.P.) as Tourism Destination. As per the Development Proposal Phase II they have proposed Creation of Yajna-Kunda on Vedic lines, renovation of ancient temples

“We have proposed the creation of Panchal Cultural Heritage University for Vedic studies, Buddhist and Jain studies, Ayurvedic Centre, Food Technology and Fashion Technology “ she said.

In the Development Proposal Phase II (contd.) they have proposed the establishment of Draupadi Museum (at Kampilya)– Diorama, facilities for showing Mahabharata – Panchala history and Culture of Ancient to British Period through Art, Artifacts and Interactive Information Technology including a cultural journey like Akshardham Temple Delhi.

“We have also proposed establishment of Food Park to popularlize and conserve agro heritage , Charak Memorial Ayurvedic Center for health care management, Annual Panchala Mahotsav – Cultural and Trade Promotion Festival with Draupadi Samman Award ceremony for women empowerment” she said.

Neera said that there were various misconceptions regarding Draupadi, “She was the Princess of Panchala Kingdom, and thus called Panchali and not because she had five husbands. Draupadi, did not emerge out of the fire, but was born to the Queen of Panchala Kingdom, after King Drupad performed the Fire Sacrifice ritual to beget a warrior child. Few realize the intense emotional turmoil Draupadi experienced when her mother-in-law asked her to take five Pandav as husbands. But she converted a challenge into an opportunity, to emerge a victor of gender parity” she said.

“She was the first ever woman to openly raise her voice against injustice and inequality towards women, refusing to succumb to evil desires of men. Being a Queen, she still worked as a Hairdresser to another Queen, during exile, teaching us the dignity of labor and the value of developing the talent for self empowerment. The dialogues for women’s empowerment cannot run on western concepts. It is our classical liberated women who stand heads above all as examples who lived the most progressive lives and took decisions that established gender equality” she said.

source: http://www.dailypioneer.com / Daily Pioneer / Home> State edition> Lucknow / by Sharmila Krishna, Lucknow / Thursday – September 10th, 2015

Harappan settlement razed to expand farmland, build houses

The 5,000-year-old Indus Valley settlement, discovered in Baghpat district of Uttar Pradesh in 1957, stands abandoned and unprotected. Photo: Parvez Khan
The 5,000-year-old Indus Valley settlement, discovered in Baghpat district of Uttar Pradesh in 1957, stands abandoned and unprotected. Photo: Parvez Khan

A 5000-year-old Indus Valley settlement located in Baghpat district of Uttar Pradesh, stands abandoned and unprotected.

The archaeological site, discovered in 1957 in Alamgirpur village of the district, is regarded as one of the most historically significant finds in the country as it showed for the first time evidence of habitation pertaining to the Harappan period in the Upper Doab region between the Ganga and the Yamuna.

However, at present the settlement, which lies just 70 km. from the national capital, faces destruction by the villagers who have flattened the centuries-old structures to expand their cultivable land.

Worse, some of the villagers have built houses, memorials and temple-like structures on top of the settlement, where excavations till last year had given crucial insights about life and society during the Harappan period, also known as the Indus Valley Civilization.

During excavations of the site which dates back to the Harappan period of 3300-1300, the ASI archaeologists found ceramic items like roof tiles, dishes, terracotta cakes and figurines of a humped bull and a snake.

After its discovery the site was declared “protected.” But it is anything but that now.

The chief of the ASI Agra Circle, Bhuvan Vikram, underlined the importance of the settlement but also accepted the complications which led to the encroachment by the villagers.

“The settlement marks the eastern most limits of the Harappan culture and belongs to the late Harappan phase, a period starting around 1900-1800 BC when the Indus Valley Civilization, popularly known as the Harappan Culture, began to decline,” he said.

The civilization, which is known for its superior urban planning, is believed to have flourished in the period between 3300 BC and 1300 BC in what is today Pakistan, northwest India and parts of Afghanistan and Balochistan.

With the continued encroachment by the villagers, the overall area of the protected settlement has been reduced from 28 bighas to just 6 bighas now.

“It is true that the area is protected but the land rights of the place are still with the farmers and the villagers cannot be stopped from farming on the land.” The ASI, he said, was making efforts to ensure that there was no further encroachment.

‘Harm already done’

“Whatever has been encroached, we cannot take back from the villagers. Our priority now is to prevent further encroachment,” he added.

However, a senior ASI official in Meerut told The Hindu on condition of anonymity that given the construction and flattening of the protected mound, there was a likelihood that the ancient heritage might have already suffered great harm.

“The farmers and villagers have in the last few years cut the mound and reduced the protected area at a disturbing pace to increase their farming land. I am afraid that important articles of the ancient heritage might have already been destroyed,” he said.

He also said that the ASI had written to the State repeatedly to prevent encroachment and fence the area off to prevent further encroachment. But there was lack of awareness in bureaucratic circles about ancient heritage. ASI officials also expressed helplessness.

The ASI notice warns the inhabitants against any kind of construction within a radius of 100 metres of the protected site. But the warning has never been heeded.

Locals recall how they built, one by one, four samadhis, on top of the mound without any objection from the administration or the ASI.

“The four samadhis were built in memorial of the great souls of the village,” said Dharmendra Raghav, a villager in his late thirties who had seen the mound since he was born. While pointing to the huts, built atop the protected mound, he said it was “good” that the “old structure” was of some use to the villagers.

“We got to know that old things were found during excavation in this mound. But, you tell me, is archaeology more important than farming. How can you ask a farmer not to till his land and grow crops. What will he eat if he doesn’t get the land to do farming,” said Raghav, who works at a construction site in Delhi, while questioning the logic of not flattening the mound for farming.

source: http://www.thehindu.com / The Hindu / Home> National> Other States / by Mohammad Ali / Meerut – September 14th, 2015

Rare artifacts on display at museum

Allahabad :

The Allahabad Museum celebrated Janmasthami by displaying rare exhibits of Lord Krishna and episodes from his life at the Central Hall. 68 artifacts and paintings depicting Krishna and incidences from his life, stories related with him, were on display.

The exhibition titled ‘Krishna in Indian Art’ included a collection of Rajasthani, Pahari and Deccan style miniature paintings ranging from 18 to 20th century. The exhibition was inaugurated by ex-governor, Rajasthan, Anshuman Singh.

Rajesh Purohit, director, Allahabad Museum said, “Rajasthani or Rajput syle of painting evolved in royal court and are known for their distinct features with Lord Krishna as one of the main themes. The exhibits including ‘Bal Krishnaleela’, ‘episode from Bhagwad’, ‘Krishna as a milkman’, ‘Krishna on Yamuna Bank’, ‘Krishnaleela’ and ‘Krishna rearing cows’ are among the most the possession of the museum. The Deccan style paintings included ‘dancing Krishna’ and ‘Krishna playing flute’.”

“Pahari style is known for its unique strokes. The stories included ‘Krishna and Brahma’, ‘Krishna and cowherd’, ‘Yashoda holding infant Krishna’ among others. The artifacts from 19th and 20th century were the centre of attraction,” he added.

Meanwhile, a seminar on Lord Krishna was organised at Nirala auditorium of Allahabad University as part of Janmasthami celebrations.

Addressing the ceremony, vice-chancellor, AU, professor A Sathyanarayan highlighted the three features of Lord Krishna. He said, “Lord Krishna’s character can be divided into three parts wherein first his act reflects innocence during his childhood when he was caught stealing butter, secondly his political thoughts during the treaty between Kaurava and Pandwa. Thirdly, he is adored as a guide to mankind during the battle between them.”

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Allahabad / TNN / September 07th, 2015

NABOB OF FAIRLIE PLACE – The mysterious European businessman who gave India its iconic railway book stalls

WheelerLUCKNOW27aug2015

At a time when booksellers everywhere appear a threatened breed, the life of Emile Edouard Moreau, who set up A H Wheeler and Co, the chain of railway bookstalls that endure to this day, appears as a fascinating example of a man with interests that spanned continents, and yet about whom there remains much that is mysterious. This story tries to piece the gaps in Moreau’s story, locating his life at the most interesting juncture in world history.

In 1877 (though the date is variously given as 1874), when he was a young man of around 20, Moreau set up what would be the first of the A H Wheeler bookstalls at the Allahabad railway station. The East Indian Railways, which had commenced operations from Calcutta northward in 1854, was then expanding its operations from Allahabad to north India. The line from Allahabad to Jabalpur had already been constructed in 1867 and so for the first time Calcutta and Bombay were connected by rail via these two cities.

Moreau was at that time a young employee of the managing agency Bird & Company in Allahabad. His two uncles, Paul and Sam Bird, brothers of Moreau’s mother, were partners in the company. Bird & Company was a leading labour contractor, supplying workmen to the railway company. It would soon have interests in coal, jute and other industrial enterprises.

Moreau had come to India a couple of years before this. His father was a Frenchman named Auguste Moreau, and his mother was Mary Bird. Emile Moreau (not to be confused with a famous French author of the same name) was born in Oise in France, on July 11, 1856. At 15, he enrolled at the boarding school for boys Framlingham in Suffolk, and, when 17, he took a steamship to Calcutta, where his uncles were already established.

The family tradition

Moreau’s grandfather James Bird, who had died in 1839, had also been a bookseller. He was evidently a local poet of some repute in Yoxford, Sussex where he also encouraged other writers such as the Strickland Sisters who later moved to Canada. After the early 1850s, railway bookstalls were no longer a new feature, at least in Europe. As far back as 1852, Louis Hachette (whose name would go on to be used by the famous publishing house) had the idea of a railway library on trains plying from Paris to other regions in France. His railway library used an innovative colour scheme distinguishing books for different clientele and readerships.

Moreau’s familiarity with the railway station in Allahabad, where he lived as an employee of Bird and Co, meant that he soon noticed the demand for reading material, especially from first class passengers. As the story goes, when a friend of his, A H Wheeler, concluded that he had far too many books in his home library, Moreau volunteered to sell them from a wooden almirah at the station.

Encouraged by the results, he set up, with a few others, the A H Wheeler and Co (named after his friend, who had moved to London by then), in Allahabad. According to this report from the London Gazette, the company began as a partnership Moreau set up with Arthur Henry Wheeler and also Arthur Lisle Wheeler, along with two others, W M Rudge and the Armenian Tigran Ratheus David. It had offices in Allahabad and London.

In the late 1880s, A H Wheeler and Co (or Wheeler’s) found fame and controversy in equal measure. Moreau soon developed bigger plans as well, such as publishing. The railways had expanded and Wheeler’s bookstalls were a familiar feature at railway stations across the United Provinces, the North West Provinces and beyond in the very first decade of their existence.

Publishing Rudyard Kipling in India

In 1888, still in Allahabad, Moreau made a business proposal of sorts to Rudyard Kipling, who then wrote for The Pioneer and also the Civil and Military Gazette, or CMG (newspapers published out of the city), contributing stories and narrative sketches for its weekly editions. Kipling’s first novel, a collection of his writings called Plain Tales from The Hills, had already been published by the Calcutta-based Thacker and Sphink & Co, and, as the story goes, it was Moreau who offered to publish his stories in book form.

Over the next couple of years, several of Kipling’s early novels formed part of Wheeler’s Indian Railway Library Series. The other books, beginning with Soldiers Three were Wee Willie Winkie, Under the Deodars, The Story of the Gadsbys, In Black and White, The Phantom Rickshaw and Other Eerie Tales, which has the famous story, The Man who would be King. Later, the Library Series also republished Kipling’s The City of Dreadful Night. These were sold for one rupee each.

In the agreement signed between Wheeler’s and Kipling (March 1889), the books were published by Wheeler’s, with Kipling receiving an “advance” of £200. Other details included the promised royalty of £4 for a thousand copies, accruing after the sale of an initial 1,500 copies. It was with this £200 that Kipling set out on a “world tour” via East Asia and the US.

It was during this time, first in Japan, that he discovered, much to his consternation, some pirated editions of his own work. In New York, he was somewhat distressed to find his early works being published in America (then under the old copyright laws, which would be changed in a few years’ time), which also entailed that an author first published elsewhere (meaning outside the country) received no royalty.

Kipling reached London and found more fame than he had bargained for. As one story goes, Moreau had sent copies of the Indian Railway Library Series publications to the British firm of Sampson Low, whose reader and editor Andrew Lang saw merit in the works. The other version is that Kipling, introduced to publishers through old acquaintances from India such as Stephen Wheeler, former editor of CMG, now had his own ideas regarding the publication of own works.

Soon the agreement between Wheeler’s and Kipling was to be reworked; all publication rights Wheeler’s had on Kipling’s work outside India were sold back to him; Wheeler’s continued to retain the Indian rights. In his memoirs, Kipling apparently mentioned his early encounter with Moreau, describing him as someone who “came of an imaginative race, used to taking chances.”

Kipling’s views on copyright matters also clashed with those of his editors at the CMG and The Pioneer, and their publishers, Sir George Allen and Pioneer Press. A later book from Wheeler’s and Sampson Low, titled Letters from Marque, was suppressed after publication. It included The Smith Administration, a collection of Kipling’s satirical sketches of the government commission’s efforts to find out how “natives” were faring in British India.


The trial of Henry Vizetelly

In 1888, the trial of the publisher Henry Vizetelly in London, according to provisions of the Obscene Publications Act of 1857, also had reverberations in British India. As one of the largest book chains in British India, Wheeler’s found themselves in some unlikely spotlight. By this time, the book trade had picked up impressively in India; around the 1880s book imports from Britain made up, as Deana Heath has written, as much as half of what was sold within India. By 1894-95, book and newspaper imports from Britain numbered nearly five million units, filling up 500 mailbags a week.

Vizetelly, a writer himself and a long-time admirer of Emile Zola, had published English versions of three of Zola’s novels (where the translator’s name appears as “unknown”). This came to the notice of the National Vigilance Association (NVA), a pressure group that took upon itself the responsibility to “purge” literature of anything obscene and prurient. Following the NVA’s allegations, Vizetelly was prosecuted for translating Zola’s La Terre, Piping Hot and Nana. Initially he was fined, but in a second trial, Vizetelly, then aged 74, was sentenced to three months’ imprisonment including hard labour. It was a sentence that broke his health, as his son Ernest Vizetelly (who later translated and published bowdlerised versions of Zola’s novels) said afterwards.

At the time Wheeler’s was already selling many of Zola’s works in its stalls, and though police officials and some educational officials such as the Reverend A Neut, the principal of St Xavier’s College, Calcutta, asked for suppression of sales, other officials in the Indian provinces chose to either disregard this, or else realised the futility of such suppression (since literature, as some said, in the local languages was easily available and more pernicious). When Lord Northbrook, the returning viceroy, asked that booksellers be warned, the officials in the central provinces and elsewhere pleaded that contracts between the government and the railway companies forbade such interference.

The debate, however, was interesting at several levels. In England, the NVA found nothing objectionable in the original French versions of Zola’s novels that were in wide circulation. The NVA and several others evidently believed that French was more a language of the elite, who could be trusted, but with the spread of education guaranteed by Britain’s Education Act of 1870, they were worried about what the public at large in England was reading.

At the turn of the century, Wheeler’s became almost indispensable in the expansion of the railways, winning the sole rights for running advertisements in publications on the railways’ behalf. Publishing in regional languages grew apace—for instance, the Naval Kishore Press was set up in 1858 and published works in Hindustani and Urdu, and there were also a growing numbers of texts relating to religion and mythology in this period—and as railway travel became both popular and necessary, Wheeler’s stalls were a necessary conduit to the pastime of reading.

Moreau and British propaganda during World War I

Once World War I began, Moreau found himself greatly sought by British government, especially by the ministry of munitions, under which the propaganda department functioned. Britain’s war propaganda department was set up around September 1914, only after realisation dawned about the efficacy of the German propaganda department; it operated from London’s Wellington House. The department’s functioning remained largely secret, and its activities would only come to light two decades or so later, in the mid-1930s.

Moreau’s knowledge and experience of the east made him indispensable, and it was Edward E Long, the official in charge of eastern propaganda, who looked him up at Fairlie Place, the home he had built for himself in Brighton, England in 1906. Spread over vast acres, it shared its name with the headquarters of East Indian Railways, later Eastern Railway, in Calcutta. Perhaps by now his interest as publisher had waned after the incident with Kipling, but he remained a partner at Wheeler’s in London and also at Allahabad.

The propaganda department had numerous writers working for it, including Rudyard Kipling, Arthur Conan Doyle, G. K. Chesterton, John Masefield, John Bunyan and others (there seem to have been no women in the list). The department was set up initially to disseminate propaganda to neutral countries and the British Empire, but soon it targeted the enemy too.

By June 1915, the department had distributed 2.5 million books, in at least 17 languages. In particular, the Bryce Report, written around this time, relating to German atrocities on Belgian citizens in late 1914, was translated into at least 30 languages

Though translations into European languages came faster (depending on skills available during the period), the rise of a local bureaucracy in the Indian sub-continent and increased numbers of “natives” in the ICS perhaps helped in multilingual war propaganda in India as well. Propaganda was also effectively done by disseminating newspapers in local languages and making an endeavour to publicise the British war efforts among the more “moderate” newspapers whose editors were invited to London (in an early example of embedded journalism).

Among the first newspapers for the war effort in British India was Al-Hakikat, published in Hindustani, Persian and Arabic. This was chiefly to counteract the powerful German propaganda in west and central Asia, which also targeted India. Later the Al-Hakikat was written in Turkish, too.

Soon after, the Satya Vani began to be published in Bengali, Hindi, Gujarati and Tamil. In still another improvisation, the Jang-i-Akbar was introduced, and this was written in Hindi, Urdu and also in the Gurmukhi script to address readers in the United Provinces and Punjab. It was the Wheeler’s bookstalls and other local distributors that ensured widespread distribution of these papers. Numbers in the space of one year reached 40,000, and soon provincial governments demanded more. It was for his services, and much of it is really not known, that Moreau was also awarded a CBE by the British government.

A global businessman

Towards the end of the war, in 1917, A H Wheeler split into two distinct branches: with Arthur H Wheeler and Co. operating in London and A H Wheeler and Co. in India. Moreau, however had numerous other interests. He travelled widely, and served as director of companies with interests in rubber, in Java and in the Malay states, and also oil (in the Trinidad Oilfields, where a road in the village of Marac is named after Moreau).

His interest in rubber technology even led Moreau to write a book himself during the time he served as director in a rubber company in Java owned by the Netherlands. It was a book published by Arthur H Wheeler (in London), comparing different ways of rubber tapping.

Despite all his travelling, Moreau lived very much in the style of the “nabobs” of old at Fairlie Place, owning, it is believed, several limousines. He lived here till his death 1937. It remained a private residence till well after World War II, after which it became a school offering secretarial and other vocational training for women.

Little is known of his family life, but he remained devoted to this institute, Framlingham College (a residential school), till his death in 1937. Not only did he serve on the governing board for many years, but he was also its most generous individual benefactor—instrumental in setting up sports facilities for its students and instituting scholarships that carry his name and are provided to this day.

This post first appeared on Scroll.in. We welcome your comments at ideas.india@qz.com.\

source: http://www.qz.com / Quartz India / Reuters-Punit Parangpe / by Anu Kumar, Quartz India / August 24th, 2015

Relic of finesse, hub of intellect buried in neglect

Lucknow :

Famous as ‘Shahji ki Deodhi’ or ‘Saat Aangan ki Kothi’ (mansion of seven courtyards), the residence of Amritlal Nagar is now in a dreadful state. Today, the kothi with a significant history is shadowed by past and broken with time. Not just family members, artists, neighbours and culturati want the mansion restored and declared heritage building.

The mansion is facing legal problems over property rights and encroachment issues. Put up for sale, a precious piece of history is on the verge of being lost. Daughter of the writer, Dr Deeksha Nagar said, “Government can transform the mansion into a live cultural museum.” In the maze of Old Lucknow there is a subtle presence of shredded memories woven by Nagar’s writings. “The mansion can be transformed into a place where literature can be created, reworked and performed as theatre,” she added.

When TOI contacted principal secretary culture Anita Meshram, she expressed inability to talk on the issue and said, “I cannot comment on this particular problem.” On tracing the forgotten house that Nagar lived in, it found to be actually a rented part of the kothi which originally belonged to Sharf-ud-Daula. It is said to have been the place where once Shahji had given refuge to Begum Hazrat Mahal, the night before she escaped to Nepal. The part of the kothi in which Nagar lived was the mardana (men’s) area of the Kothi’s original structure.

Saat Aangan ki Kothi may be lying in neglect but has not lost the resonance of beauty. Filmmaker Muzaffar Ali remarked, “Amritlal Nagar’s residence should be protected and marked as heritage of the City of Nawabs.” Some extensions of the kothi which earlier included a Thakurdwara, wooden doors and jharokhas with flawless filigree have slowly worn out over time, added Laavi Tikkha, neighbour of Amritlal Nagar from 1964-89.

Residence of Amritlal Nagar in those times used to attract lots of personalities from the Hindi film industry. “Shashi Kapoor, Shyam Benegal, Raj Babbar and K P Saxena were among the visitors and Junoon (1978) was shot here,” recalled Manoj Kumar Mehrotra, who resided in the house opposite Amritlal Nagar’s.

Though Nagar did not own any property, the kothi used to be an evening attraction of Mirza Mandi till a couple of decades ago. “The evening of courtly entertainment of poetry was part of his life in this kothi,” his neighbour Rahul Seth told TOI. Envisaging the past of 1980’s five and eighty years old Munendra Nath Mehrotra recalls that, “Amritlal Nagar’s kothi used to be a charm of this place but now it is surrounded by buildings on all sides.”

Blended with Lucknowi Tehzeeb and Nazakat, Amritlal Nagar was one of the renowned artistes of Lucknow’s literary repertoire. Former MP of Lucknow Lalji Tandon told TOI, “We tried to restore Nagar ji’s place a few years ago but didn’t make a headway. Government spending crores of rupees on development can easily restore this invaluable piece of history.”

Standing very differently from today’s world the work of Amritlal Nagar have transcended all boundaries compelling the reader to think. Made from ‘lakhauri’ and organic paste with Mughal architecture the mansion exudes an arresting aura of uniqueness. Wild grass growing on the 400-year-old building shrouds this relic of visual and oral arts of Old Lucknow.

(Compiled by Ashutosh Agarwal)

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Lucknow / TNN / August 23rd, 2015

World War I weapons on display in centenary year in Allahabad

Allahabad :

To mark the centenary year of the World War I, the Allahabad Museum will set up a gallery displaying arms and armours, including light machine guns and pistols, used in both world wars by August end. Renowned poet William Cowper’s quote, “War lays a burden on the reeling state, And peace does nothing to relieve the weight,” will be the theme of the gallery.

Museum director Rajesh Purohit said, “A light machine gun having a number on the outer side as MG 08/15 and manufactured in 1917 was used during the World War I. Another machine gun maxim MG 08/15 manufactured in 1918, pepper box revolver with six barrels and a six cartridge belonging to the 19th Century are prominent displays which were used during the World War-I. Their advanced versions were used in WW II.”

The other weapons to be displayed in the gallery are a muzzle loading, percussion cap firing system pistol and a smooth bore pistol with ram rod having a size 31cm and 1.6 cm belonging to early decades of 19th Century. Apart from the arms used in the two World Wars, the gallery would also exhibit pistols, swords, khukhri, bayonet and chest plates used by freedom fighters. Dumped in museum’s reserve collection along with 3,000 objects and antiquities, these arms and armours were away from public eye till 2011. After four years of classification, cataloguing and preservation, the objects classified under ‘arms and armours’ are ready to be displayed for visitors. These include various types of pistols, rifles and light machine guns. At present the museum has catalogued 211 weapons. However, the rifles that were in vogue during the WW II are yet to be displayed.

Most of these weapons are in good condition and could be used even after 100 years. The museum had roped in Allahabad University’s department of Defence Studies for cataloguing the guns and other arms. “A brigadier was also consulted to ascertain the present condition of the weapon. AU’s RK Tandon and Onkar Wankhede of the museum toiled hard towards restoration and preservation of arms. A total of 211 weapons are in the gallery,” said Purohit.

However, the museum had not documented donors of these weapons. “The museum started functioning with a small collection in 1931. With passage of time, donations started pouring in. We lack accounts of persons who donated various items, including arms and armours to the museum till 1950s,” said Purohit.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Allahabad / by Vinod Khanal, TNN / August 20th, 2015

Agra’s crucial role in freedom movement not documented: Historians

Agra:

As the political capital, first of the Mughals and later the British, Agra was always a key centre of political action. The city played a crucial role in the freedom struggle but poor documentation of records has failed to highlight the contribution of the freedom fighters, say local historians.

Syed Ikhtiyar Jafri, director of the Mirza Ghalib Research Academy, who recently released a paper on the contribution of Urdu journalists, said “for whatever reasons the authentic history of Agra`s contribution to the freedom movement, to arts and literature, suffers from poor documentation of records, and therefore the contribution under-valued.”

Hardly any documented history book on the `Braj region` is available that could provide a true picture though fragmented pieces, mostly in newspapers are there for study. “Interestingly, Agra was a major centre of Hindi and Urdu journalism, and we have a long line of fighters with the pen,” says Prof Amit Mukherjea, head of the history department at St John`s College.

The first call for freedom in 1857, ignited by the visits of Nana Sahab, Azimullah Khan, Maulvi Ahmadullah Shah and dozens of other revolutionaries to the city, drew passionate support from the local youth who targeted government installations. Thousands of Hindus and Muslims, particularly in the rural hinterland, rose in revolt which forced the colonial rulers to declare Martial Law in the area.

The rebels against the imperialists were more active in the rural areas than in the city till Tantya Tope shifted base to Agra and the mohallas around Agra College and Gokulpura became the hotbeds of unrest. The heroes of the 1857 revolt, Thakur Heera Singh, Thakur Govind Singh, Chand Baba and Thakur Prithvi Singh continued to lead the mutineers with rare valour.

With the introduction of the railway and opening of the Tundla station in 1862, the city became the transit point of revolutionaries from the East. In 1857 the family of Jawaharlal Nehru migrated and settled in Agra following disturbances in Delhi. Motilal Nehru was born in Maithan mohalla in 1861.

The visits of Tilak, Lajpat Rai and the late Mahatma Gandhi in 1920 and 1929 galvanised the youth and the city came into prominent focus.

Revolutionaries like Bhagat Singh, Chandra Shekhar Azad, Raj Guru and Sukhdev stayed here for days in the Noori Darwaza area, making bombs. A series of bomb blasts and conspiracies like the Hardy Bomb case, explosions in Sheetla Gali, Moti Katra, Barah Bhai ki Gali and other parts sent shock waves in British cantonments.

On the vanguard of revolutionary activities were journalists like Pandit Sri Ram Sharma, Mahendra Jain, Devendra Sharma, Goverdhan Das, Ganpati Kela and Hari Shankar Sharma, in addition to scores of poets and litterateurs.

Ram Chandra Bismil from Mainpuri had fired the imagination of youth with his revolutionary writings. Bismil`s “Shaheedon ki chitaon par lagenge har varash mele, watan par marne walon ka yahi namo nishan hoga,” rings an echo to this day.

Hindi daily Sainik of Sri Krishna Dutt Paliwal was the first to launch a frontal attack on the British colonists. Some of the best editors of the time including Ageya served as editors of this daily. The success of Sainik gave impetus to a long line of periodicals including Hanumant Singh Raghvanshi`s Swadesh Vandhav, Laxman Singh`s Praja Hiteshi, Taja Tar, Ujala, Citizen, Punch and dozens of others.

Women played a crucial role leading protest marches and participating in dharnas. Saroj Gaurihar, Parbati Devi, Bhagwati Devi Paliwal, Sukh Devi, Damyanti Devi Chaturvedi, Satyawati, Angoori Devi Jain, Shiva Dixit, Chandra Kanta Mishra, Vidhyawati Rathod and Heera Bahen Hemraj Betai of the INA were some of the leading figures of that era.

“So many others were there and there was absolutely no gender bias or differences,” says Saroj Gaurihar recalling her activities during those years, adding that “the boycott movement against foreign goods was recognized as the most successful by Motilal Nehru in Agra” in a speech.

Two stalwarts of the freedom movement, Thakur Ram Singh, the hero of Kala Pani, and Prof Siddheswar Nath Srivastav, died recently.

Officially, Agra witnessed 110 violent incidents that resulted in the death of British officials or destruction of property. The famous Hardy Bomb case, Postal Robbery case, Chamraua and Jaunia bomb cases at railway stations are still talked about.

Contrary to popular belief, the city played a very crucial and notable part in the hundred years preceding independence in 1947, but much of the record and documentation work has been lost.

“With more than 400 leaders arrested for varying terms in jail at different times, Agra`s contribution needs to be re-assessed and recognised,” says veteran media activist and former president of the press club Rajeev Saxena.

With railway connectivity to all parts, and situated on the borders of the Deccan plateau, the Thar desert and the Doaab region, Agra was naturally the key hub of revolutionary activities, says senior citizen Surendra Sharma.

IANS

source: http://www.zeenews.india.com / Z News / Home> News> India News> States News> Uttar Pradesh / Friday – August 14th, 2015

Panchala Museum plans gallery for freedom fighters

Bareilly :

With the 69th Independence Day less than a week away, authorities at Panchala Museum are planning to set up a gallery dedicated to the lives of freedom fighters from the Rohilkhand region.

Officials have started collecting pictures, letters and other memorabilia belonging to those who were a part of the freedom struggle.

Abhay Singh, a professor at MJP and the project coordinator, said, “We are requesting families of these bravehearts to provide photographs and texts related to their lives. We are working on a strategy to gather as many belongings of the freedom fighters as we can and we also plan to appeal to the public through newspapers in this connection.”

“Residents aren’t aware of the kind sacrifices freedom fighters from this region made. With the gallery we plan to highlight their glories in our museum. For instance, FR Rahman alias Chunna Miyan who was known as Gandhi of Bareilly worked for creating communal harmony in the city,” Singh added.

However, setting up of the gallery is subject to the availability of required material.

Shyam Bihari Lal, head of the department of ancient history and culture, said, “The gallery will be set up in the museum only after we receive enough material to put things up on display.”

Many people from the Rohilkhand region, including Bareilly, Shahjahanpur, Pilibhit, Rampur, Badaun, Moradabad, Bijnor and Sambhal played an active role in the freedom struggle.

Bareilly was the headquarter of the Rohilkhand region during the revolt of 1857. In fact, on May 31 that year, freedom fighters killed several British officials including the principal of Bareilly College.

The museum is located on the MJP Rohilkhand University campus. Till now, it was only accessible to varsity students but it will be opened to public from this month.

“There will be no entry fee for outsiders but there will be timings for public visits,” said Singh. He added the final touches are being given to the renovation and beautification work at the museum.

source: http://www.timesofindia.indiatimes.com / The Times of India/ News Home> City> Bareilly / by Priyangi Agarwal, TNN / August 10th, 2015