Category Archives: Arts, Culture & Entertainment

CII Young Indians unite Lucknow residents to empower women

Lucknow :

Youth, particularly women, got together in large numbers on Saturday for the Confederation of Indian Industry (CII’s) Young Indians (Yi) session on ‘Let’s Unite for Women Empowerment – ‘Celebrating Malala Day’. The session urged for bold action to embed women’s rights, women’s empowerment and gender equality in all we do, now and beyond.

The session was packed with dynamic panelists including some eminent women achievers like Kiran Bedi, retired IPS, social activist Anjum Chopra, former Indian women’s cricket team captain, Padma Shri and Arjuna Awardee, Dolly Thakore, Indian theater actress and casting director, Melissa Lee Ohm, former US Marine and CEO and Founder, STaND, Aparna Yadav, brand ambassador, NGO Harsh and classical singer, Niloufar Pourzand, Chief of UP, UNICEF, Deepa Malik, Arjuna Awardee and founder Wheeling Happiness, Kanika Kapoor, playback Singer and musician Sayema Rehman, RJ, Radio Mirchi, New Delhi.

Kiran Bedi expressing her pleasure for being in Lucknow said,”I am here just because this session is in Uttar Pradesh, had it been anywhere else I wouldn’t have gone. I am very concerned about the issue of women security in this state. I have for long wanted to come over and speak to the people here.” Bedi suggested measures for empowering women. “There are 6 Ps that need to be worked upon to ensure that women are treated with dignity, these are – People, Police, Politicians, Prosecution, Prisons and Press.”

The panel discussion ranged from stories of accomplishments and hardships these women achievers had faced. Anjun Chopra spoke about being the captain of Indian women’s cricket team, which is otherwise known to be a men’s game. Dolly Thakore told about her movement of supporting women and how she manages to wear all the hats at once. Melissa Lee Ohm shared how her two daughters inspired her start her own self-defence training and sexual harassment prevention consultation organization. Similarly, Niloufar Pourzand threw light on the serious need to prevent ‘toilet rapes’ in the state.

Deepa Malik’s speech moved the audience to tears as she shared her story. She said in spite of being paralyzed chest down, with three tumour surgeries and nearly 200 stitches between shoulder blades and a life on a wheelchair for the past 14 years has not stopped the 44 year old from taking up challenges, and she is the first and only Indian swimmer, biker, car rallyist and athlete in her category of paraplegic disability, and has numerous awards to her name including the Arjuna Award.

Likewise Kanika Kapoor the latest music sensation of Bollywood expressed that all that glitters in not gold and life of a woman has many challenges and yet she carry it with a broad smile.

Guarav Prakash, founder chair, Yi Lucknow Chapter said, “July 12 is also being celebrated by United Nation, as Malala Day, in support of Malala’s (Yousafzai’s) unparalleled example ,of courage and valour ,and it is appropriate that we also dedicate this day ,to every woman and girl child in this country to applaud the youngsters, who not only raise their voice but are also willing to support the fairer sex.”

He insisted that people who resort to brutalizing and stifling the existence of our female gender, do not come from some other planet, but are from one of us. It is indeed shocking that they are unaware of what harm their actions do, to a society of which they are a part.

Sachin Agarwal, chairman, CII Uttar Pradesh State Council said, “Concerted local, regional and global efforts will have to be made in order to make the world a better place. We should give women a chance to grow up into productive citizens who will meaningfully contribute their share to bring harmony, peace and cooperation both locally and globally.” He added that people should acknowledge their contribution and numerous sacrifices by giving women a chance to prove their abilities and showcase their talents.

Agarwal also informed that CII has launched a special initiative for women, Indian Women Network (IWN), a platform for all women to drive their ambitions and motivate them to achieve their dreams. It is a network of women, for women and by women. Abhishek Mishra, Minister, vocational education, GoUP was the chief guest for the session and Navneet Sikera, deputy inspector general, Lucknow was the guest of honour. Divij Narain, co-chair, Yi Lucknow Chapter and director, Speed Motorwagen gave the vote of thanks.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Priyanka Singh, TNN / July 12th, 2014

Out Of The Blue band enthralls Lucknow

Out Of The Blue band
Out Of The Blue band

A jam-packed auditorium witnessed an enthralling performance by the Out Of The Blue band, which is in Lucknow these days.

The band showcased their unique talent with the vocalists producing sounds of musical instruments, combining it with humour and excellent choreography. Popular western pop numbers were presented in the A Capella style with great energy .

The group presented 20 songs, I Want To Dance With Somebody, Somewhere Only We Know, I Want You Back, Don’t Stop Me Now and The Lion Sleeps Tonight were some of them. The musical feast went on for another over an hour, with the audience applauding at the end of each recital.

Dr Dinesh Sharma, the Lucknow Mayor, was the chief guest for the evening. Jai Lakshmi Sharma, VN Garg, Carlyle McFarland, AS Bedi, Sangeeta Banerjee an Jagdish Gandhi were also present there, and enjoyed the evening as much as the youngsters. We learnt that Roshan Gandhi Forouhi, one of the band members of Out Of The Blue, happens to be educationist Blue, happens to be educationist Jagdish Gandhi’s grandson.

Much to the band’s relief, the students participated enthusiastically in the concert, singing along when they knew the lyrics of a song.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Vidita Chandra, TNN / July 09th, 2014

Ali Fazal’s going places

Ali Fazal and Vidya Balan (Photo: DC archives)
Ali Fazal and Vidya Balan (Photo: DC archives)

The recently released Bobby Jasoos boasts of Vidya Balan as the female protagonist. However, it is Ali Fazal’s performance in the film that is being praised by many.

In Bobby Jasoos, Ali plays the role of Tasawur, a TV anchor who dreams of escaping the bylanes of old Hyderabad. Ali admits that he was quite unsure before taking up the film. “Since Vidya’s was the central character in this film. I read the script thoroughly to make sure my role was significant,” he says.

He insists that the love story brewing between his character Tasawur, and Bilkis Ahmed, aka Bobby, is rather unusual. He says, “That’s because Tasawur is actually one of Bobby’s cases… she helps him get rid of marriage proposals. And what starts off as a professional relationship slowly develops into a friendship and beyond.” The actor also feels that when it comes to Bollywood films, Hyderabad as a location remains quite untapped. “I haven’t seen a movie based in Hyderabad for the longest time, and we had a lot of fun shooting in the city.” Ali Fazal also stars in the seventh installment of Hollywood hit franchise Fast and Furious, for which he finished shooting recently.

He says, “It was a different experience altogether. I shot with them last September, the whole gang Paul Walker, Vin Diesel, Kurt Russel, and Ludacris. As Paul Walker passed away and the script had to be redone, I had to go back for the shoot. I completed shooting for the film just two months back.”

source: http://www.deccanchronicle.com / Deccan Chronicle / Home> Entertainment> Bollywood / by Amrita Paul / July 06th, 2014

‘I’m very harsh on myself’

It’s a constant struggle for actors to hone their talent, work with integrity and retain the love for the art. But this is an interesting challenge for Irrfan Khan, who recently visited the City to promote the men’s platinum jewellery range by Abaran.

IrrfanMPOs07jul2014

The actor, who has earned accolades for his role in films like Paan Singh Tomar,
Maqbool, ‘D-Day’, and more recently ‘The Lunchbox’, says that the films he chooses to work on relate to his mindset at the time.

“Sometimes you do one story and then look for its antidote because you want to experience something completely different from it. Different experiences are what this profession provides you.

Sometimes there are parts that attract you because you want to be in that space for some time and at others, the part itself is interesting but the space is very hard. But you make a choice, choose that part and go through with it. That’s when a beautiful
story comes out,” he says.

Irrfan’s resume also boasts of Hollywood films like ‘Life of Pi’ and ‘The Amazing Spider-Man’ and the upcoming ‘Jurassic World’, the fourth part of the ‘Jurassic Park’ series.

Speaking about the film, he says, “I have a pivotal role in the film. (Steven) Spielberg is involved and the director (Colin Trevorrow) is fantastic. It’s an immense production and the story is beautiful. I’ve finished one schedule and am going in July to do the rest.”

The actor is also excited about working on Shoojit Sircar’s Piku, which also
features Deepika Padukone and Amitabh Bachchan. “I’m really looking forward to it. It’s a beautifully written script by Juhi (Trivedi) and Shoojit is a director I respect because he has talent and integrity as a storyteller,” he states.

But does he regret doing films like Hisss and The Xpose that not only flopped but were very uncharacteristic of Irrfan? “I did The Xpose for money,” he admits. “I don’t usually do films like that and charged a bomb for a day.

I had to do it as I hadn’t done a film for a long time. I hope I don’t have to face such
days again and am working only on films that I am convinced about,” he elaborates.
Irrfan adds that he has always had a tendency of criticising himself and his system.

“I’m very harsh on myself and I don’t mind that. I like being ruthless with
criticism and this isn’t something that I’ve acquired but given by god. When I was a small kid, the first thing I learnt to say was ‘I’m shit. Just throw me out of the window’. It was a burden for me till a point that I understood what was going on. Once you get clarity, you enjoy seeing things more critically. I’m critical about Bollywood and Hollywood for instance. But the way Bollywood is changing and the way the audience is forcing that change and evolving makes it a great time for the industry,” he says.

A fan of Bangalore, Irrfan says that he would love to stay here. “I wish I could live here. I’ve seen parts of Bangalore that are changing haphazardly without any design like a disease. But the City still has beautiful weather and there’s something very romantic about it,” he signs off.

source: http://www.deccanherald.com / Deccan Herald / Home> Supplements> MetroLife / by Rohini Kejriwal / DHNS – July 01st, 2014

Nawabi Lucknow

LucknowUP06jul2014

Though English singing sensation Cliff Richards was born in Lucknow, the city is not famous for western compositions, but for highly refined versions of Indian performing arts. A classical music form like thumri and dance like Kathak were pioneered by the Muslim Nawabs upcountry. They built the city in 1775 as the capital of Awadh, their inde­pendent sovereignty. And that was esta­blished at a crucial time — when the command of the mighty Mughal Empire in nearby Delhi was waning, while British East India Company was transforming their interest from trade to territory.

The Nawabs flaunted a great passion for art, music and literature, which attracted the best of North India’s talent to Lucknow and that over time permeated through the growing city, giving it a distinctive culture that was both artistic and edifying. Lucknow became another name for courteous urbanity and conjured up an image of a society where adabs and tehzeebs were a way of life.

Today, like any other Indian metropolis, it is an avant-garde settlement of 3 million, but during my recent visit, it didn’t take me much time to sense the breathing of the golden legacies of the past era, despite modernity cloaking the city.

I was able to note an impeccable blend of the ancient with the contemporary, finding quaint markets gracefully coexisting with glitzy shopping malls, tall apartments rising next to stunning ancient monuments, newer cars on the road giving way to horse driven carts and old-fashioned eateries constantly throwing challenge to the kitchens of five star hotels.

The touches of this past lifestyle blazed strikingly, the moment I stepped into the atmospheric Chowk area, where during the Nawabi heyday, traders, artisans, weavers, engravers, painters, singers and nautch girls grew and flourished. A “must visit” destination for all tourists, the quarter is overburdened with liveliness and buoyancy. Winding through its narrow galis, flanked on both sides with dusty two storied houses, business establishments and countless shops, some dating back over 200 years, selling a range of merchandise from old fashioned furnishings, antique utensils, hand laced carpets, aromatic spices, to saris, ghagra’s and kurtas exquisitely embroidered with chikankari, artwork that adorned Nawabi apparel and exotic “atars” gifted to their begums, was an exhilarating experience of savouring antiquity. The classic example of ‘pahele aap’, the legendary etiquette of the city, came up several times from passing pedestrians, when going through some very narrow alleyways, where it’s difficult for two people to cross at the same time.

The experience of meandering through time continued when I visited the magnificent Qaser Bagh Palace, where the dynasty’s last Nawab, Wajed Ali Shah, a prolific poet, singer and dancer, lived till deposed by the British, when Awadh was annexed to the Company’s Empire in 1856. The silent beauty shrouding the ruined Indo- Persian styled edifice promptly shifted my mind to another time zone. Looking at the ornate balconies, I could envision that to be the place where the Nawab leisurely sat and composed verses, such as the famous ‘Babul Mora Naiha Chooto Jaay’ while the city’s magical silhouette slowly sunk into sunset. Wandering around, I thought I heard the rhythms of a tabla matched with the tunes of sarengi, and imagined that coming from a mehefill inside, the Nawab dancing and singing with his luscious courtesans, in a large hall ado­rned with gold framed mirrors, portraits of ancestors and opulent chandeliers hanging from the festooned ceiling. Walking through the surrounding grounds, once treaded on by the emperor and his friends, I didn’t see anyone flying kites or watching rooster fights, but I was told that two of the Nawab’s most favourite pastimes still evoke passionate involvement among the locals.

The opulent vestiges of the Qaser Bagh Palace  bore testament to the extravagant lifestyle  of the Lucknow Nawabs, for which they were notorious. The other building I saw that was equally appealing in style and sumptuousness was the Chatter Manzil, the name being derived from its chatter (umb­rella) shaped gild dome crowing the structure.

The highlight of any visit to Lucknow is surely cherishing  its architectural transcendence and, like me, if you arrive by train, the first taste will come the moment you step down at the Charbagh Railway station — a 1914 built imposing edifice, structured with domes and minarets and looks like a grand palace from outside. It aptly measures up in quality with the city’s other monuments, mostly built by the Nawabs that dominate the expansive physical environment spreading out on both sides of the River Gomti.

For me, the two Imambaras — Bara and Chota, came out as the most distinctive. They are religious monuments, meaning houses of the imams, as per the Shiaite school of Islam to which the Nawabs belonged.

Located in the city’s bustling old quarter, you enter the precinct through the Rumi Darwaza, a soaring gate 60 feet high that has stood imposingly for over two centuries as a silent witness to history. The stunning feature of Bara Imambara which is a maze of a large courtyard, two imposing gates and a mosque, is the 50m long and 15m high central hall, one of the largest vaulted galleries in the world, totally unsupported by pillars. An external stairway guides you to an upper floor laid out as an amazing labyrinth, known as the Bhulbhulaiya, where you are sure to lose your way in the criss-crosses of latticed corridors and stairways, unless someone is with you as a guide. The nearby Chota Imambara, a gem like structure is surrounded by a delicate golden dome and has external walls engraved with superb calligraphy. The interior is adorned with gilt-edged mirrors, ornate chandeliers, silver pulpits and colourful stucco decorations. Next to it is a clock tower, the tall brick structure of which turns into a memorable sight when brightly illuminated at night.

It is said that the Nawabs had equal fascination for poetry and food, so cuisine became and still remains a central feature of the city, serving signature dishes such as tunde kabab, kakori kabab, dum phukt mutton biriyani, nehari and halim, the recipes for which emerged from the regal kitchens. They certainly pledge to delight one’s heart through the stomach, and this worked for me when I tried some of the specialities at the plush Oudhyana Restaurant at the Taj Residency Hotel.

Elusive and enchanting, Lucknow, oozing with history and teeming with life, has all the ingredients to lure any traveller — excellent air, rail and road connections, accommodation to suit every budget, great shopping opportunities, mouth wat­ering cuisine, courteous people and above all a landscape bejewelled with some of India’s most breathtaking monuments. I fell in love with the city instantly and I am sure you will as well.

Factfile

Getting there: Lucknow is 80 km from Kanpur, 210 km from Allahabad, 305 km from Varanasi and 363 km from Agra. The Delhi-Lucknow Shatabdi Express links Lucknow to other major cities in India. Lucknow’s Amausi airport has flights to all the major cities in India. Hire an auto rickshaw or cycle rickshaw. Even horse -drawn carts are available. Please try to fix the rate before starting the journey. The main centres of activities in the city today are Gomtinagar, Hajratganj, Janpath, Aminabad, Chowk, Nakhas, Sadar and Nishatgang. Log on to www.up-tourism.com for more information.

— sandiphor@hotmail.com

source: http://www.newindianexpress.com / The New Indian Express / Home> LifeStyle> Travel / by Sandip Hor / June 22nd, 2010

Every Awadhi mango tells a tale of its own

Lucknow :

Lucknow takes pride in its two possessions: aam and zubaan. Both are laced with sweetness and grace, and give a distinct identity to the city.

Mango enjoys an exalted status among the natives of Awadh. It’s revered not just as a fruit, but also considered an integral part of Awadhi tradition. There is a way of savouring its delectable varieties like dussehri, safeda, chuswa or langda. “Mango eating is about nazakat and nafasat,” says a veteran citizen. “In some families, mangoes are served to guests on a ‘tashtari’ (tray) decorated with roses. It is considered improper to present cut slices of the fruit to the guests,” he adds.

Till a few years back, mango eating contests were annually organized in the peak summer season. To the bewilderment of spectators, some contestants ended up consuming dozens of mangoes within minutes. But the soaring costs gradually brought curtains on such events, says Lucknow-based historian Roshan Taqui. These have now been replaced by mango festivals, organized by businessmen or prominent hotels, where several hybrid varieties of the fruit are served to connoisseurs.

Aminabad resident Chaudhary Shrafuddin, however, has kept alive the tradition of ‘aam daawat’. For past 37 years, he has been organizing the annual ‘Aam aur Ghalib’ daawat, where litterateurs and poets meet to savour both Urdu poetry and mangoes, says Atif Hanif of Lucknow Society. It’s a befitting tribute to poet Mirza Ghalib, who was an avid mango lover, Hanif adds.

It is said that once Ghalib was savouring mangoes outside his home when a donkey came by. It smelt the discarded mango peels lying around on the ground and walked away without tasting them. Seeing this, a passerby said, “Huzur, donkeys don’t eat mangoes.” Ghalib immediately quipped: “Yes, only donkeys don’t eat mangoes,” leaving the passerby speechless. Even poets like Firaq Gorakhpuri and Josh Malihabadi waxed eloquence on the king of fruits.

Ibrahim Sheeshmahal, a descendant of Avadh Nawabs, throws light on the art of mango eating. “Since mango is a delicate fruit it should be eaten with zubaan and not the teeth,” he says. He recalls the days when families held mango conglomerations in Malihabad orchards. “In summers, mango used to become the staple food. Buckets full of mangoes were kept in houses,” says the royal descendant.

Historian Taqui says Avadh’s mangoes became popular through various innovations. “One of them (though no longer in vogue) was mango served with ‘biraha’ parantha,” says Taqui, adding that the British officers had a strong dislike for chuswa as they found it unsophisticated to eat.

Mango cultivation is done in various states but none comes near Malihabad’s dussehri in sweetness and look. Its most famous orchardist, Haji Kalimullah, has made its further popular by naming the hybrid varieties after celebrities like Sachin Tendulkar and Aishwarya Rai Bachchan.

Despite soaring prices and arrival of exotic fruits in the market, Awadhis remain addictive to their mangoes. For them, aam is quite khaas (special).

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Vijay Chopra, TNN / July 06th, 2014

HCBL Co-operative Bank extends financial assistance to Chikan karigars in Lucknow as part of financial inclusion

Lucknow :

One of the leading banks in the Urban Co-operative banking sector of Uttar Pradesh, HCBL Co-operative Bank Ltd has taken active initiatives to promote financial inclusion among skilled craftsmen.

The Bank said it is committed to preserve and promote the age old art of Chikankari, for which the State of Uttar Pradesh is most famous. Chikankari and Zardoji are the traditional crafts of Lucknow city, which are widely appreciated all over the world. To uplift the social and financial promoting this segment .

KK Gupta, chief general manager of National Bank for Agriculture and Rural Development (NABARD), Lucknow recently distributed the cheques of financial assistance to artisans and craftsmen at the Alambagh branch of the bank. Gupta assured artisans that in the coming Lucknow Festival, five stalls would be provided by NABARD to display and sell their products. He praised the efforts of HCBL co-operative Bank for providing financial and other help to Chikankari workers.

He said that NABARD would also help in providing training to the artisans about latest trend and designs in Chikankari. This is the third phase of financial assistance extended to the artisans by the HCBL Bank. Earlier in August and December 2013 too, the Bank had organized similar events in which a large number of artisans had benefited.

Speaking on the occasion, Anil Vikram Singh, chairman of the Bank said, “The Bank has always taken prompt initiatives to provide substantial financial assistance to the lowest strata of the society, specially the artisans and zardoji workers. We hope such financial assistance will make these artisans financially independent and also aid in preserving the age old craft of chikan karigari.”

He said that in future too, the HCBL Bank also aims at providing point of sale options to these artisans to sell their products at the bank’s branches. This will not only help the artisans to show case their products and art but also earn a reasonable income through such sales.

On the occasion, Pawan Kapoor CEO of the bank along with other directors of the bank – Vandana Mehrotra , Pratibha Thukral and other dignitaries were also present. Staff members and other senior officials of the bank attended the occasion.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Priyanka Singh, TNN / July 03rd, 2014

Sulabh to build toilets in Badaun village

Shocked by the Badaun gang-rape and murder case, Sulabh International, which works in the field of sanitation, has decided to construct toilets in all households at Katra Sadatganj village where the horrific crime took place.

Founder of the non-governmental organisation Bindeshwar Pathak decided to write to Prime Minister Narendra Modi to begin a campaign to build toilets in each household across India and end the problem of open defecation.

“By providing toilet facility in the village, we want to exhort the government and corporate houses to come forward and participate in providing toilet facilities to poor people in villages and towns across India. Lack of toilet facility was the main reason for the rape and murder of the two girls … By adopting this village, we are just setting an example,” Dr. Pathak told The Hindu.

“We will make all efforts to ensure proper toilet facilities in as many poor households as possible. I urge the corporate sector to donate freely to ensure that no house in India remains without a toilet … Each corporate house and big company should adopt one village for this purpose. It will not only address this social evil but will also help in tackling several diseases that happen due to open defecation.”

Dr. Pathak said it was the duty of the government to provide toilet facilities, which would also help check crimes. “Any woman defecating in the open is vulnerable and the government must acknowledge this,” he noted.

Welcoming Sulabh International’s initiative, former Union Rural Development Minister Jairam Ramesh said the Centre as well as all State governments need to work collectively on the issue of sanitation and women safety. “It is clear from what has been seen in Bihar and now Badaun that open defecation is not just an assault on the dignity but also on security of women,” he told The Hindu.

Referring to Mr. Modi’s slogan “Toilet first, temple later,” he said, “Building toilet at every household will herald an effective social change in society … I will urge the Prime Minister to make it his government’s top priority.”

source: http://www.thehindu.com / The Hindu / Home> News> National / by Sandeep Joshi / New Delhi – June 02nd, 2014

Seminar on Pandit Mishra

Allahabad :

A seminar on renowned litterateur Pandit Shitla Prasad Mishra was organised on Thursday. Various speakers elaborated on diverse aspects of Mishra’s personality. He died June 23 last at the age of 90 years.

Vibhu Ram Mishra shed light on the initial life and education of Mishra. Describing Mishra as an expert on the labour issues, he said that his book ‘Labour problems in Ancient and Medieval India’ and ‘Indian Labour Movement’ effectively summarizes the labour problems in the country. Prof Ramesh Chandra Verma evaluated the personality of Pandit Mishra as a litterateur and commented on his book ‘Akshyavat’ and ‘Sukhi Jeevan’ and other books. Ram Prakash Gupta remembered Mishra as an educationist and lauded his role in establishment of Bamaula School and as manager of Dr Kailash Nath Katju Inter College. Chief guest and former higher education consultant Chandra Vijay Chaturvedi spoke about the various facets of Pandit Mishra and described him as a source of inspiration.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Allahabad / TNN / June 27th, 2014

Shah Jahan’s summer palace found near Taj

The Taj Mahal, built between 1632 and 1653, is regarded by many as the finest example of Mughal architecture.
The Taj Mahal, built between 1632 and 1653, is regarded by many as the finest example of Mughal architecture.

Agra :

In an interesting discovery following excavations carried out by the Archaeological Survey of India recently, remains of a summer palace, presumably a baradari, a pavilion designed to allow free flow of air – have been reportedly found at the centuries-old Mughal-era garden Mehtab Bagh located opposite the Taj Mahal.

The garden was reputedly Shah Jahan’s favourite spot which he used to visit to get a view of the Taj at night, hence it’s name (Mehtab means moonlight in Urdu).

“The remains of the baradari-like structure have been found just opposite the Taj Mahal which strengthens our belief that the Mughal emperor must have built this place to enjoy the view of the Taj sitting near the bank of river.

The place seems to have sunk beneath the surface either due to floods or because of the presence of hollow space under the structure,” said a senior ASI official.

The excavated remains of the walls at the garden complex, situated on the opposite bank of the Taj Mahal in Agra. (PTI photo)
The excavated remains of the walls at the garden complex, situated on the opposite bank of the Taj Mahal in Agra. (PTI photo)

Incidentally, Mehtab Bagh has been associated with the myth of the black Taj which is believed to have been spun by guides to fascinate foreign tourists. According to the story, Shah Jahan wanted to build another Taj in black marble across the Yamuna and connect the two by a bridge. Mehtab Bagh is pointed out by some as the possible site where the black Taj would have come up.

“There has never been any historical evidence to prove the existence of a black Taj,” said the official.

During excavation work carried out between 1997 and 1999 at Mehtab Bagh, the ASI had found remains of a huge octagonal tank furnished with 25 fountains, a small central tank and a baradari in the east of the garden. “The present work is going in the south direction of the garden in the straight alignment of the Taj Mahal which makes the discovery an interesting one,” added the official.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> India / by Adithya Dev, TNN / July 02nd, 2014