Category Archives: Arts, Culture & Entertainment

Kathak doyen’s abode housed in hellish neglect

Lucknow :

The house in which founder of Kathak Kendra of UP and winner President’s award Pandit Lachchhu Maharaj was born lies in a state of shocking neglect. Famous as Kalka Bindadin Maharaj ji ki Dyodi (Jhaulal ka Pul), the house where the legendary Kathak dancer and choreographer was born is in a miserable state, though the government once promised to turn it into a museum.

He hailed from an illustrious family of Kathak exponents in Lucknow (1907-1978), recipient of the prestigious President’s and Sangeet Natak Akademi award Lachhu Maharaj and also the founder director of the Kathak Kendra of Uttar Pradesh, the government of Uttar Pradesh has done absolutely nothing to keep his memories alive. Even the promise of turning his house into a museum made by the state government remains unfulfilled.

Kathak doyen’s nephew Pandit Birju Maharaj too said he had been trying hard to get the house converted into a tourist place but so far he has only received false promises from the parties in power.

“This year, I have requested the Chief Minister to consider with priority the proposal of preserving the house as a museum. I hope some positive results come out soon,” said Pandit Birju Maharaj.

Lachhu Maharaj’s first disciple in Lucknow, Kumkum Adarsh, a popular city-based Kathak dancer and the maestro’s niece Rameshwari Mishra too have been championing the cause. Speaking to TOI, Rameshwari Mishra, who lives in another portion of the same house, said “It gives me immense pain to see the pathetic condition of the house of the legendary artiste who contributed so much to the field of Awadh’s culture.”

She said around 15 years back, during its previous regime, Samajwadi Party mooted the idea of creating a museum in his name but nothing has been done so far.

“If you visit the government flat of Gulistan colony in which Lachchhu Maharaj breathed his last, you will find a rusted ‘sarkari taala’ on the door,” she added.

Kumkum Adarsh, who has been organising an award function in memory of her favorite mentor on his birth anniversary September 1 since 1998, feels her ustad has not been given the recognition he deserved in his home state.

“I am disappointed that no one has actually done anything to keep his memories alive and the pitiable state of the portion of the house he was born and lived in shows the government’s callous attitude,” she rued.

Besides his family and disciples, city-based historian Yogesh Pravin and short-story writer Aisha Siddiqui are also of the view that it is high time people came forward and took up the issue. “Even today there are hundreds of fans of Lachchhu Maharaj across the globe. I still recall how students who came from all over the country would say ‘hum maharaj ji ki dyodi ko choomna chahte hain”, said Yogesh Pravin. “The government must preserve the memories of legendary artists not only as a form of honour to the person but also so that the future generation remains attached to the city’s rich culture and heritage,” said Aisha Siddiqui.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> India / by Uzma Talha, TNN / September 01st, 2014

61 Mughal-era silver coins found in Kanpur

Representational Image RNA Research & Archives
Representational Image RNA Research & Archives

A total of sixty-one Mughal-era silver coins with Arabic inscriptions imprinted on them have been found from an earthen pot near the bank of river Ganga in Cantonment area in Kanpur.

The coins were found last evening when a few kids had gone to the river Ganga’s wharf in Cantonment area to take bath where they found an earthen pot filled with shining coins in it, police said.

Ram Kishan Das, a priest at the wharf, after knowing the incident, informed police and Army officials which then took the relics under its authority and has informed Archaeological Survey of India about the coins, Major CP Bhadola said.

ASI has conducted a search at the site and sent a preliminary report to their Lucknow office, an official said.

“The coins have some inscriptions on it in Arabic script, we are guessing that these might belong to the Mughal era,” ASI officer Manoj Verma said.

source: http://www.dnaindia.com / DNA / Home> News> India / Place: Kanpur, Agency: PTI / Saturday – September 13th, 2014

Clean & Clear Lucknow Times Fresh Face competition at Amity University in Lucknow

Clean&ClearLUCKNOW13sept2014

YEH DIL MANGE MORE: Clean & Clear Lucknow Times Fresh Face competition received an enthusiastic response at Amity University on Tuesday, and the fuchchas kept pouring in till the last minute to participate in it. In fact, some second year students too grabbed the chance to get up on stage to show their talent.

TWO MUCH FUN: It all started with a warm up session where emcee Maddy helped all the students relax. And once the freshers had got over their stage fright, there was no looking back. Ashmeet Kaur wooed everyone with her singing and sang two songs on public demand. Dikshay Gurung surprised everyone with his dancing skills, while Aviral Sen Saxena crooned an old romantic number and earned many cat calls and whistles from the girls.


WE ARE THE WINNERS:
Finally, it was the clear-skinned Ashmeet Kaur who was adjudged the winner, while fresh-faced Swapnil Singh and Supriya Singh were declared the first and second runners-up, respectively. Aviral Sen Saxena was declared the winner among the boys, while Joy Brath S Rawat and Dikshay Gurung were declared the first and second runners-up respectively. First year college students can register on itimes.com/freshface to participate. Remember, the two girls who win this contest get a chance to become the face of Clean & Clear!

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> Entertainment> Events> Lucknow / by Akash Wadhwa, TNN / September 12th, 2014

Ram Temple movement leader and Yogi Adityanath’s guru Avaidyanath passes away

SUMMARY
Former BJP MP Mahant Avaidyanath, who was one of the leading lights of the Ram Temple movement in Ayodhya, died
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Former BJP MP Mahant Avaidyanath, who was one of the leading lights of the Ram Temple movement in Ayodhya, died following prolonged illness in Gorakhpur Friday. He was also the former chief priest of Gorakhnath Temple and guru of BJP’s firebrand leader and Gorakhpur MP Yogi Adityanath.

Avaidyanath (95) was admitted to Medanta Hospital, Gurgaon, three months ago and was on ventilator for the past few days. He was moved to Guru Gorakhnath Hospital on the temple campus in Gorakhpur by an air-ambulance Friday evening. He died around 9 pm.

Adityanath accompanied Avaidyanath from Gurgaon to Gorakhpur.

Avaidyanath was elected MLA from Maniram Assembly segment five times – 1962, 1967, 1969, 1974 and 1977. He was elected Lok Sabha member from Gorakhpur as an Independent candidate in 1970 and won again in 1989 as candidate of Hindu Mahasabha. He was elected MP from the same seat in 1991 and 1996 as BJP nominee.

Adityanath took deekhsha from Avaidyanath in February 1994 who declared him as his successor.

Adityanath, too, won from Gorakhpur Lok Sabha seat for five consecutive terms.

Prime Minister Narendra Modi condoled the death of Avaidyanath, saying “he will be remembered for his patriotic zeal and determined efforts to serve society”.

“Saddened over the demise of Mahant Avaidyanath ji. He will be remembered for his patriotic zeal and determined efforts to serve society,” the Prime Minister said.

BJP state president Laxmikant Bajpai and general secretary (organisation) Sunil Bansal, too, expressed grief over Avaidyanath’s demise.

BJP spokesperson of Gorakhpur region Satyendra Sinha said the party has cancelled the two-day training camp of party workers of Gorakhpur region that was scheduled to begin in Kushi Nagar Saturday.

Satyendra said Avaidyanath’s body would be placed in the temple for public to pay tributes on Saturday.He will be buried on the temple campus Sunday according to the rituals of Sant Samaj.

source: http://www.financialexpress.com / The Financial Express / Home> Miscellaneous / Express News Service – Lucknow / September 13th, 2014

Lucknow’s art just for art’s sake?

Art exhibitions in the city have become popular spots for hobnobbing, but no one is interested in buying art there

Lucknowites take great pride in the thriving arts and culture scene in the city. Art exhibitions by local painters and sculptors are a regular feature on the city’s social calendar. But while everyone wants to be seen at these events, no one wants to buy art from them, rue local artists.

`THE AVERAGE SALE OF ART WORKS IS NOT EVEN ONE PER EXHIBITION’

Laljeet Aheer, Chairman, State Lalit Kala Akademi at Lal Baradari, says the ratio of exhibitions organised to art works sold is dismally poor. “On an average, if 30 exhibitions happen at State Lalit Kala Akademi in Lucknow every year, not even 10 paintings are sold through them,” he says, adding, “I am a sculptor too, and have been in this field for 30 years, but nothing has changed as far people’s attitude towards art goes. People come to exhibitions to meet each other, see the work, but don’t want to buy them.”

A fact corroborated by every single person related to the field.”The average sale of art works is not even one per exhibition!” says Bhupendra Asthana, an artist who now organises exhibitions in Lucknow for other artists. “People in Lucknow will spend lakhs in buying a painting from Delhi, but will not spend half of that money in buying a work from Lucknow, even though it might be better,” adds Asthana.

`IN UP PEOPLE CONSIDER ART AS SOMETHING TO BE GIFTED’

Art curators and artists in Lucknow try to explain the reason for the poor sales of art works at exhibitions. Rajendra Prasad, Head of the Painting Department at the Arts College, Lucknow, feels city folk do not quite value art in the way that they should. “Also, I have noticed that people prefer to purchase paintings from exhibitions in Delhi or Mumbai, but underestimate the talent of local artists, who get a good response if they display their works outside UP,” he says.

“In UP people consider art as something to be gifted, they don’t understand that it’s the passion of an artist that should be valued ,” rues Anurag Didwania, director of Kala Srot Art Gallery and Art Centre that was recently launched in the city , and adds, “I know private art galleries in the city have had to close down eventually, due to losses. But I still took the risk of starting one of my own in Lucknow. We have bookings for exhibitions in coming months and until now we have had two painting exhibitions, but not a single painting was sold from them, even though they received due appreciation from visitors.”

`IF AN ARTIST DEVOTES A MONTH’S TIME IN MAKING A PAINTING, IS THAT JUST WORTH `5,000?’

“Even the paintings that are sold at exhibitions are the ones that are priced very low,” points out Prasad, “mostly in the range of `5,000-`10,000. Sometimes, a client wants a portrait of his done, or an interior decorator places an order for 20 landscapes.So that has become the source of income for artists in the city .”

A very discouraging trend for artists, feels Praveen Sharma, program coordinator at Lalit Kala Akademi Regional Centre, located in Aliganj. Sharma says, “If an artist devotes a month’s time in making a painting, he is giving everything to it – from time to emotion to experience.Is that just worth `5,000?” He also adds that most of the purchases from exhibitions are by corporate houses and industrialists. “Otherwise, Lucknow just does not have a market for art at all. In fact, all of UP is the same. That is why private galleries here cannot sustain themselves and have to shut down; even the Regional Centre runs on funding by the central government. Who can run a centre like this on a rent of `3,000 per exhibition? It’s impossible,” he states.

`BAAT KIYA, PAINTINGS DEKHI AUR CHALTE BANE’

But if no one is intersted in buying art in Lucknow, why are the inaugurations of these exhibitions so well-attended? “For many it has become a spot to socialize and get clicked,” says Bhupendra Asthana, and adds, “On the inaugural day, an exhibition witnesses a large gathering but from the second day , you will notice very few people coming in for it. There were instances when artists coming from other states had to wind up the exhibition before the scheduled closing day , owing to low turnout.”

Agrees Prasad and shares, “People come in full strength on the first day of the exhibition, it is like a fun gathering for them, ki baat kiya, paintings dekhi aur chalte bane.People need to look beyond that, art needs appreciation and the interest of people.”

`THERE IS NO TRUST BETWEEN AN ARTIST AND BUYER HERE’

But not everybody feels that Lucknow lacks an eye for art. Alok Kumar, a renowned painter from the city , says the quality of work displayed at local exhibitions is also to be blamed for the poor response. “We are unable to develop the taste for quality work among people here. Most of the exhibitions are by amateur artists, and people get to see only copied or low quality work, so why will a buyer want to invest money in such art? The established artists prefer to exhibit their works outside UP , as there is no trust between an artist and buyer here. I have done 40 exhibitions in these 25 years, and out of them only five were in Lucknow. The others were in major cities like Delhi, Mumbai, Jaipur, Bangalore, Kolkata and the foreign countries,” he shares.

Not many artists are as lucky as Alok Kumar. Sudheer Sharma, a sculptor who passed out of the Arts College in 1993 rues, “I could not continue my passion for art, and had to take up a government job to run my livelihood. I have done 6-7 exhibitions in the city but not a single work was sold. Then I started taking orders to make sculptures for hotels, political parties etc. I am getting decentlly paid for that.”

`NEED TO CREATE A MARKET FOR ART’

Jayant Krishna, who is a frequent guest at art exhibitions in the city , says there needs to be greater awareness created about art as an investment. “I have bought around 12 paintings in the last five years from exhibitions in the city, and believe we have ample potential here; we just need to create a market for it.”

Prof Rakesh Chandra, another regular at art soirees echoes Krishna’s opinion. “We need to develop the understanding of art as an investment, which over the years cities like Mumbai and Baroda have successfully developed. I believe government, banks and private firms should come forward to initiate the culture of buying art work from art galleries in the city,” he says.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / Renu Singh, TNN / September 09th, 2014

LMGC moves alumnae to restore Khursheed Manzil

Lucknow :

After financial assistance from Ministry of Culture towards conservation of the magnificent Khursheed Manzil, the La Martiniere Girls’ College looks up to its alumni to contribute towards converting the historical structure into a museum. The conservation work began in mid-June.

In the general body meeting of the La Martiniere Girls’ Alumni Association held recently, the school management had asked alumni to contribute towards renovation of Khursheed Manzil.

Principal Farida Abraham said “a museum is being prepared to preserve all old records and documents so that students present and past can relate more closely with the college’s glorious past.” Public will get a closer look at the antique remnants of this 200-year-old landmark, she added.

The grand museum will spread across three rooms comprising staff dining hall, drawing room and verandah, and would be adjacent to the principal’s office. The museum will exhibit the treasure trove of the historic college.

In an attempt to restore the pristine glory, the college had approached Union ministry of culture with a proposal. In May, the ministry sanctioned Rs 48 lakh. The total project outlay is around Rs 3 crore.

Conservation architect Ashish Srivastava said “the building was in a shambles. During excavation work, the college found pottery, good collection of books and paintings, picture plates dating back to pre-Independence years and other documents like shield, comments by old Martinians, etc.”

The college also plans to set the clock back. A drawbridge that led to the building in the past will be put in place so that visitors get a feel of the 18th century castle. This structure was witness to some stubborn fighting during the first War of Independence in 1857.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Isha Jain, TNN / September 09th, 2014

Gateway to ancient wisdom on verge of closing

Lucknow:

Hindutva may be the flavour of the day, but there are no takers for Hindu mathematics in Lucknow University. This section of the Mathematics department of Lucknow University is virtually closed. It neither has expert faculty, nor students to carry forward research on invaluable transcripts on Astronomy and Algebra authored by great Hindu mathematicians till 1800 AD, which the world recognizes as masterpieces. Major reason for the faculty’s closure is that to study these documents one has to be well-versed in Sanskrit as well as a master of mathematics, which is a rare combination. Paucity of funds has just added to the woes.

Former section in charge Aruna Nigam who headed the department till 2009 says “the section has rare collection of work in mathematics. A lot of awareness is needed to revive the section.” She adds the last student of this department was Japanese national T Ohashi, who came a decade ago to study Indian astronomy. On how Hindu mathematics differs from Vedic mathematics, she said the former has been practiced from 2nd century AD while the latter dates only around 5,000 years Before Christ.

Present caretaker Poonam Sharma who took charge six months back said “these days nobody opts for Hindu mathematics because it does not fetch the kind of money other careers do.”

The section has a unique distinction in that it possesses around 52 priceless transcripts of original manuscripts written by Hindu mathematicians. There are three photocopies of the original work penned by Brahmagupta, ‘Sput Siddhanta’, in 620AD, brought from England and three microfilms in Bengali on algebra and mathematics. Formed in 1939 by A N Singh, the first Indian LU head of the math department, the section does not receive any grant, neither from the University Grants Commission nor state government.

Most transcripts are in Sanskrit and regional languages and they are on astronomy. “This was basically because the people then were particularly fascinated by Astrology and Astronomical wonders,” said Nigam. “That’s why we were world leaders in Astronomy till 1500AD, she said, adding arithmetic, algebra and geometry developed as byproducts of astronomy.

Some of the rare collections here are: ‘Aryabhattiyan’ by Aryabhatt (495 AD), Bahad Jatak by Varahmihir (6th century AD) and Sridharacharya’s Pati Ganit and Dholi Karma. Nigam said very few know there were two Bhaskaracharyas. Bhaskaracharya I (620 AD) was the astronomer and Bhaskaracharya II (1156 AD) the author of ‘Leelavati’. This was brought to light by English mathematician Colebrooke in the 18th century, she informed. She also challenged the popular belief that Leelavati was daughter of Bhaskaracharya II. “Bhaskaracharya used the name Leelavati for explaining mathematical problems, we have no proof weather she was an imaginary figure, disciple or daughter of the scholar”, she added.

Hoping that the section would be revived, former head of maths department, Ram Nivas informed “we had zero, decimal system concept of ‘infinity’ much before the world came to know about it.” Bodhayan derived Pythagoras theorem and calculated the value of pie in 800 BC. Through ‘Surya Siddhanta’ they had calculated distance of sun from earth. They knew about number of planets, their motions, causes of eclipses and trigonometry. ‘Theory of Indeterminants’ was in Indian mathematics since 5th century, while the world developed it after 13th century.

Aryabhatt (495 AD) was the first to discover that earth moves round the sun (west to east) by observing movements of boats. These scholars could read time accurately by measuring inclination of sun rays. They also knew about ‘principal governing observatories’, informed experts. Geometry was known as Dholi Sutra (since it was measured by threads) and arithmetic as ‘Dhool Karma’ and ‘Pati Ganit’ (since calculations were done on sand and wooden planks).

Nigam during her term took up the arduous task to translate these in English. Five books are already available in the department. “It’s unfortunately that the section is now closed,” she added.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Isha Jain, TNN / September 01st, 2014

‘Ballia independence’ commemorated

Varanasi :

In order to commemorate the historic event when ‘Baghi Ballia’ had declared Independence from British rule in 1942, hundreds of local residents assembled at the district jail on Tuesday. The gate of jail was opened for a while. A procession was taken out across the town.

On August 19, 1942, thousands of people of Ballia proceeded to jail to free their leaders imprisoned during Quit India movement. They were armed with guns, lathis and spears. The gate of the jail was opened and the political prisoners were freed. It was the historic victory of Ballia. People had taken control of the town and they declared ‘Independence’ for Ballia on August 20, 1942. A government headed by Chittu Pandey was formed. Every year, on August 19, people carry out procession from the district jail and hold meeting at Bapu Bhawan to celebrate the victory.

People uprising in Ballia began soon after the arrest of Congress leaders taking part in Quit India movement. On August 10, 1942, all the schools were closed and people continued to take out processions. On August 13, Bilthara Road railway station was attacked and the building was burnt. On August 16, Rasra treasury was attacked and two days later the police station at Bairia was attacked. The station officer had removed the Tricolour, which the freedom fighters hoisted on August 15. At least 20 persons were killed and several others injured in police firing.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Varanasi / TNN / August 19th, 2014

1000-year-old palm leaf manuscripts on Buddha’s life yet to be deciphered

Allahabad :

A treasure trove of 1000-year-old palm leaves manuscripts related to the life of Lord Gautam Buddha and around two lakh documents revealing 180 years of history of erstwhile princely Rampur State are still awaiting to get deciphered here at regional archive office (RAO) even after a gap of 60 years.

The palm leaves and hand-made paper manuscripts around 200 in numbers were recently put in an exhibition at a school here by the RAO but their contents could not be known as the visitors did not know about the language of the manuscripts.

“Efforts on the part of the government to decipher the language are lacking. Neither the officials nor academicians visiting here had any knowledge of the contents put on the display. If deciphered, the manuscripts may threw light on the life thousands of years back,” said one of the event organiser.

Amit Agnihotri, Regional Archive Officer said, “We came to know about the manuscripts related to Lord Buddha after seeing his picture on the leaves. The writing resembles with those that are prevalent in coastal India. So, we assumed it to be 1000-year-old. We do not know much more than that as only scholars can decipher the writing”. Similar is in the case of two lakh documents of erstwhile RampurState.

In the beginning of 2013, Regional Archive Office here had forwarded a proposal to the state government demanding recruitment of at least four Persian and English scholars who could read and decipher the files of Rampur state in its possession.

RAO already suffering from staff crunch, became active only after Rampur’s Raza Library—autonomous body of the Central government, wrote to the then governor BL Joshi for taking the documents in its possession for making them available for readers after deciphering them. But no progress has been made till date.

Amit Agnihotri said, “Very little is known about the Rampur state which had represented the Indian states in three Round Table conferences, Khilafat Movement and had maintained a close relationship with the Britishers. A deep study of the documents can reveal more about the socio-political, military and cultural aspects of the state which actively took part in the First War of Independence in 1857 and later continued to support the British during the Indian freedom movement.”

He further said Rampur state had represented other princely states on various occasions so the outcome from the study of the files would have definitely helped in putting the things in sequence in the history of Northern India.

Rampur princely state came into being in 1770 and was merged in India after independence in 1947. Its rulers had been the stooge of Britishers and did not play any role in the Indian freedom movements in the 20th century.

“The documents mainly comprising of correspondence with the Britishers, the princely states among others would give a detailed view on the political and military relationship it shared with them. The students, scholars and historians will be benefited a lot if the files gets catalogued,” added Agnihotri.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Allahabad / by Vinod Khanal, TNN / September 02nd, 2014

Too many people visit Meerut’s govt libraries, but not for books

Meerut:

It was dark in the middle of the afternoon, the fans weren’t moving. Despite soaring temperatures, there was no drinking water. The fear of losing her vehicle was running at the back of her mind. Akanksha Verma, 22 finally decided to get out of one of the four government libraries in the city.

“One of my friends told me about this place (Raajkiya Swatantrata Sangraam Sangrahlaya). She said there was a library here. I visited it a couple of times with my friends for group studies but later gave up the idea as this place does not have electricity most of the time. It even lacks basic facilities such as clean drinking water and parking space,” she says.

The city has four government libraries: District library, Cantt library, Tilak library and the one in Raajkiya Swatantra Sangraam Sangrahlaya. All four lack basic infrastructure and facilities, and give you a feel of ancient times.

Interestingly, the bookshelves in these reading rooms look old and untouched. “That’s because the collection here hasn’t been updated for decades. It seems that the authorities don’t want people to read beyond freedom struggle and independence. I have also visited Tilak library, but only to prepare for CA and not for reading books,” says Akanksha.

A random visit to one of these libraries suggests that there is no dearth of students coming here. But very few of them actually get books issued or check out the collection. Achin Kumar, an SSC aspirant, who has been coming to Raajkiya Swatantra Sangraam Sangrahlaya for the last one and a half years, says, “The only reading material I require are competition books, which I have purchased already. The library has old books and I am not interested in them. So I bring my own books each time I come here.”

RK Chauhan, who is the librarian at Tilak library, which was established 128 years ago, claims that as many as 500 books come to the library every year. “But all of them are sent by the Nagar Nigam. Only a few of them interest today’s youngsters. The Nigam spends around Rs 80,000 for these books each year.”

However, there are some good private libraries in the city that are flocked by people from all age groups on a daily basis. “I have been a member here since I was eight years old. It has books for all sorts of people. I see a lot of kids and senior citizens coming and spending hours here,” says 22 years old Isha Tyagi at one of the popular private libraries.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Meerut / Ishita Bhatia / August 31st, 2014