Category Archives: Arts, Culture & Entertainment

Vintage treasures wheel across city

Lucknow :

A cool Sunday afternoon was made colourful by history cruising on Lucknow roads in deep red, yellow, olive green and dark gray. Seventy cars from the bygone era took part in a vintage car run organized by the Vintage Car & Motorcycle Club of Lucknow and State Bank of India.

His clothes in colour coordination with his yellow and blue 1947 MG TC, Dr Tarun Sehgal said he had heard words of awe and amazement for his vintage possession.

The caravan passed through Hazratganj and towards Gomtinagar through Lohia Park, crossing GPO and back to SBI head office from where it had taken off.

“Obtaining original parts is next to impossible. The mechanics too are not much adept with vintage engines and styles to be dealing effectively with them,” says Ravi Shankar Rajput, whose three generations have been into vintage cars. He now owns a 1935 Fiat Balilla.

Seldom taking out the 1934 Dodge owned by the police force, DGP Anand Lal Bannerji has to take another car for safety reasons. “It is a Dodge that dodges everyone and I need advice from experts for maintaining it,” he said.

“My father owned a two-seater Austin that he had to sell off, so when in 1944, I got hold of this second-hand four-seater Austin 7, I bought it and have been maintaining it ever since,” said Dr Sadiq about his deep red ‘baby Austin’.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Yusra Husain, TNN / October 20th, 2014

Lucknow Expressions society hosts literary evening with british scholar Rosie Llewellyn Jones

It was a packed house when the Lucknow Expressions society organised another literary evening, this time with historian Rosie Llewellyn Jones.

Rosie Llewellyn Jones (left)
Rosie Llewellyn Jones (left)

Rosie’s writings on Nawab Wajid Ali Shah were released by filmmaker Muzaffar Ali, who was the chief guest at the event. Introducing the audience to the life of Wajid Ali Shah, Jayant Krishna expressed disappointment over the lack of monuments or places in the city named after the Nawab.

“Perhaps, we are looking for the international airport to be named after him,” joked Jayant. Muzaffar Ali, on the other hand, spoke about a temple in Vrindavan with a statue of Nawab Wajid Ali Shah.

The event concluded with a question-answer session, followed by high tea.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Renu Singh, TNN / October 16th, 2014

No ‘Ravana vadh’ possible without this Muslim family

Varanasi :

Sharadiya Navaratri is a time for celebrations for many but a Muslim family, away from all celebrations, is busy making effigies of demon king Ravana and his kin to be burnt on the tenth day of Navaratri, Vijayadashmi.

The members of this family, who believe that Vijayadashmi is the celebration of victory of good over evil, have been in this work for three generations.

Shamshad Khan, a member of the family said, “It has been 35 years since we are making effigies for Vijayadashami. We are the third generation of our family continuing the tradition.” About 8 members of his family are engaged in this work. They are now giving final touches to the huge effigies at Diesel Locomotive Works.

The materials used for making these effigies are bamboo, flour, waste sarees, taant (china rubber), colours, papers and sutli. “We get our materials from Guddi Silai, Chaukaghat and also Manduadih. Altogether three effigies of Ravana, Kumbhakarna and Meghnaad are being made at DLW. These effigies are of 70-ft, 65-ft and 60-ft height, respectively”. Besides, five other effigies are also being made at Titthupur, Lahartara, Phulwaria, Kabirnagar and Babatpur.

Despite hailing from the Muslim community, these people prepare effigies and play a major role in Vijayadashami celebrations. Shamshad remarked, “The virus of communalism should be abolished and there should not be any animosity.”

source:http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Varanasi / TNN / October 02nd, 2014

KVT likely to engage CBRI to save temple walls

Varanasi :

The Kashi Vishwanath Temple Trust has decided to rope in Central Building Research Institute (CBRI) Roorkee for saving centuries-old temple’s artistic walls being ruined by the delay in removal of enamel paint.

However, the date of starting the work is yet to be decided as the trust meeting scheduled for Wednesday was once again postponed due to some undisclosed reason.

In 2008-09, the experts had opined that enamel paint applied on the temple was damaging its wall. Till 2013, the temple administration and trust knocked at the doors of Archeological Survey of India (ASI), National Research Laboratory for Conservation of Cultural Property (NRLC), NGOs and individual artistes for removal of paint. Now, they have turned to CBRI for the same.

KVT chief executive officer AK Awasthi told TOI, “The CBRI is seeking Rs 57 lakh to study the problem and find a solution. The decision to forward the issue to the state government for approval and sanctioning of budget was to be taken during KVT trust’s meeting on Wednesday.” However, he could not pin-point a date for forwarding the proposal.

Built by Maharani Ahilya Bai Holkar of Indore in 1977 the KVT, which enshrines one of the 12 Jyotirlings of Lord Shiva was, started facing threat after the enamel paint was applied on it in 1990s. The blunder of applying enamel paint on KVT walls was repeated more than five times in the past two decades. The temple is built of porous stones, which absorb water along with salt and mineral through capillary action. Plastic paint applied on the walls locked the moisture in stones causing damage to the structure. The attention of temple administration as well as state government was drawn towards it when general secretary of the Citizen Forum and former minister Shatrudra Prakash sought a white paper on the application of enamel paint in 2008-09.

Later the temple trust sought help of ASI and NRLC to examine the impact of enamel. After examining the effect of enamel paint the NRLC initially prepared an estimate of Rs 2.19 crore to remove it. But, when trust rejected this estimate the NRLC prepared another estimate of Rs 1.22 crore. But, this proposal was also not accepted by the trust as well as the temple administration. After these developments the temple was given proposals by NGOs and individual artisans for removal of enamel paints.

In 2013 the principal secretary (religious works) Navneet Sehgal had mentioned that some selected artistes can be allowed to start removing paints after the end of Maha Kumbh’s rush following Mahashivratri. But, now Awasthi claims that this work can be assigned to any government institution only due to which the decision for engaging CBRI has been taken. The officials are surely in no hurry but the adverse effect of delay is visible on the walls of the temple for past two-three years. In July 2012 a railing of a decayed portion had collapsed in which a priest was injured.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Varanasi / by Rajeev Dikshit, TNN / October 09th, 2014

Rural cricket stars in a league of their own

Lucknow :

Idiosyncratic batsmen, charged audience, nail-biting run chases, unpredictable results— It’s all there at the Indian Grameen Premier League (IGPL), a rural cricket tournament being played barely 18km away on the outskirts of the city.

Now in its third season, the IGPL which was started in December 2013 has in fact gained so much popularity among the local lads that foreign-educated MBAs, young entrepreneurs and budding politicians are among those who have either formed or joined one of the 16 participating teams. Among the strong contenders are BKT Superkings, BKT Blues, Bhawani Tigers, Rukhara Royals, Young Fighters, Eleven Fighters, Abbasiya Cricket Club and Chhatamil Cricket Club. Many of the popular players in these teams are known not by their original names but by the names of international players they resemble in playing style or looks.

For example, Atul Mishra of BKT Superkings is called Dhoni because of his helicopter shot and wicket keeping. Ranjeet Singh of Bhawani Tigers is often compared with Australian all-rounder David Hussey and Hafir Zubaid from Mohanlalganj team is known as Hashim Amla beacause of his looks and batting style. Another player from Mohanlalganj was cheered as Kieron Pollard because of his physique and ability to hit long sixes without footwork.

Participating in IGPL for the first time, London-return Manvendra Singh, the captain of BKT Superkings says, “Even after pursuing a business management course from Great Britain, I couldn’t leave my passion for cricket and decided to form my team. My team is a good mixture of young blood and experienced players.”

On the other hand, the captain of defending champions Bhawani Tigers is a home guard in the fire department, Sanjeev Singh. “No matter which team is playing, my players know how to uproot the stumps of the opponents. Unlike other players, who tend to shift to other teams for better opportunity after the season ends, our teammates stick together and that’s why we rule,” says Singh.

The man behind the sporting league, Anurag Bhadauria, better known as ‘Bhaiyaji’ among youths in the area, says, “Being a local and a diehard cricket fan, I initially thought of an idea to utilize the energy of idle and unemployed youths into something from which they can benefit from and hope for opportunities.”

Giving the example of Amrendar Yadav, a 31-year-old youth who does commentary for IGPL matches, Anurag said, “Like many other village boys, Amrendar too was depressed because of unemployment and even attempted suicide. But this league has given him opportunity for employment.”

He added, “Sports have a lot of potential to change the nation. Take the example of Brazil. Over here, we don’t have lush green grass or proper kits to play, but still these boys are trying to find opportunities in their passion.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / Arvind Chauhan, TNN / October 09th, 2014

Potters work overnight to meet demand of designer diyas

This Diwali, the demand for designer ‘diyas’ has increased manifold and city based potters have started working meeting the requirement. A Naini based potter said, “Diyas occupy a special significance during the festival and the demand for for both ordinary and designer diyas has risen”. He added, “Despite the fact that markets are flooded with LED and Chinese lights, people are still going for the traditional diyas every Diwali. With the changing trends, potters too are wheeling out designer diyas. During the puja of Lord Ganesha and Goddess Lakshmi, people still light diyas as no electrical light can replace our traditional medium.”

Potters, however, said people now prefer diyas to decorate their houses as well. Pooja, a buyer said, “Diyas offer a unique picture on the festive occasion which could not be matched with lights”.

Archana Mishra, a house wife said, “LED lights cannot replace diyas. Even mythological tales on Diwali mention use of diyas. It is said that these earthen lights not only help in lighting the physical path but the spiritual path too.” Kumar, a potter, said, “The sales of designer diyas has picked up in the past few years. Besides small vendors, shops selling gift items too have started keeping designer diyas.” City potters are working overnight in order to meet the demand of designer diyas this festive season.

Currently, not only elders of the potter’s family but youngters are too busy designing diyas this Diwali. According to them, it is the best time to show their caliber by drafting designer diyas.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Allahabad / TNN / October 12th, 2014

Freedom fighter Captain Abbas Ali dies

Freedom fighter Captain Abbas Ali, 95, died of a heart attack around Saturday morning, at a hospital here.

Ali was a captain in the Indian National Army led by Netaji Subhash Chandra Bose.

Later he joined the socialist movement and was a close associate of Ram Manohar Lohia.

He left party politics in 1988.

His son senior journalist Qurban Ali told IANS: “Captain Sahab was active till the last minute”

Abbas Ali was born in in 1920 Khurja, Bulandshahr district of Uttar Pradesh. Early in life he was inspired by Shaheed Bhagat Singh.

source: http://www.business-standard.com / Business Standard / Home> News-IANS> Politics / IANS / Aligarh – October 11th, 2014

IIT-Kanpur adds hope to Moonj craft revival dream

Kanpur :

Nineteen-year-old Meena Kumari can now make a moonj basket on her own. She also dreams to be an entrepreneur and revive the dying art of weaving Moonj baskets from grass. Sahana, a moonj craftsperson, wants awareness about this form though her children do not wish to follow the family tradition.

Meena and Sahana’s dreams are fired by a bunch of students of IIT-Kanpur students who are helping them in various ways under an MHRD initiative to revive this famous craft form of Uttar Pradesh, products made of wild grass called “moonj.”

And, as the institute gets immersed in its annual fest – Antaragni – Meena and many practitioners of the art proudly display their skills at a stall on the campus.

Meena was trained in less than three months by students associated with the research lab under IIT-K’s master of design programme.

“Moonj products are simple but attractive and eco-friendly,” said Meena, who studied computer science from an ITI, as she sat knotting the grass in spirals at the stall on Friday.

Naini, a village on the banks of Yamuna in Allahabad, is a major producer of moonj. Moonj and kasa are types of wild grass that grow on the banks of the Yamuna. The grass are found in abundance along the air strip in Kanpur too.

“Moonj is the outer layer of a type of grass called ‘sarpat.’ This layer is peeled off and knotted as it is easy to store and dry. These knots are locally known as ‘balla’. Kaasa grass is dried and wrapped with moonj grass by rolling around kaasa. The motifs of basketry are created by adding colored grass (after dyeing the original grass) in between,” said trainers Pooja Mishra and Jyoti Bahadur of IIT-K.

Nearly 90% of womenfolk in Naini are involved in moonj basket making. “I am making moonj products since four decades. But, my kids do not want to do this as they do not find this lucrative. I am happy that awareness about this craft is growing which will lead to people coming forward to get this form into the mainstream,” said Sahana, a moonj craftsperson from Naini.

Textile designer Neelam Gupta (28) left her job in Delhi to learn moonj craft. “I have seen my mother work on moonj craft since I was six. However, she could not continue as she had myopia and nobody from our family took interest in this craft form. When I got to know about this project, I decided to leave my job and work for reviving moonj craft,” said Neelam.

Moonj coiled grass products are used as containers, food storage devices, coasters and wall decorators. “Moonj craft also has traditional significance as the products are gifted to women in ritual functions and weddings,” said Pooja. Recent additions are cooker cover, bowl stand, glass cover, and cutlery box.

Project in-charge, Koumudi Patil who is a faculty of humanities and social sciences at IIT-K, said: “We are working to develop the community by looking into their frugal technology to promote moonj craft right at the grassroot level. The project aims to take the craft to the mainstream. Artisans will be engaged with the design process as well as entrepreneurship training so that they can earn their own livelihood.”

Besides, students at IIT-K who are part of the project are devising a mechanism to upgrade the technology in order to increase production. “The manual process is time consuming. At times, it takes weeks to design a moonj product. We are trying methods, which can be used in needle movement for knotting the spirals so that the products are masterly crafted. To create a space in the market, we need to increase production without affecting employment,” said Mohit Soni, final year mechanical engineering student involved in the project.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Isha Jain, TNN / October 11th, 2014

Sangam City a part and parcel of 160 yrs of postal service

The postal department will complete 160 years of glorious service on Wednesday. However, many of us are unaware that the Sangam City has been a vital spot in this journey and has many firsts to its credit. From the launch of first horse cart postal service to air-mail and railway-mail service, the city has always been the first choice.

The credit of launching horse cart service in 1841 goes to prominent trader of chowk area Lala Thantimal. Owing to diversified business, he felt the need for a speedy mail service and hence the first horse cart service came into existence. His mail service also used to carry letters of public but for a price.

The launch of service led to Lala Thantimal’s business growing by leaps and bound. Later, he finally settled in Kanpur. “A decade later, he started postal company ‘Inland Transit Company’. Initially, the company carried mails and parcels between Kanpur and Calcutta (now Kolkata). The services were later expanded to Meerut, Delhi, Agra, Lucknow and Varanasi,” said director, postal services, Krishna Kumar Yadav. Thantimal’s great grandson Vinod Tandon now lives in Kanpur but is engaged in separate business. Incidentally, Yadav has conducted an extensive research on the topic.

In another first, the Britishers in 1864 launched railway-sorting section between Allahabad and Kanpur. “The section was later converted into rail mail service which now occupies over 70% of postal delivery services in the country,” said the director.

The world of postal services was, however, revolutionized by world’s first airmail service. It too was started from Allahabad to satellite town of Naini in 1911 and carried letters of freedom fighter Motilal Nehru written to his son Jawaharlal Nehru.

“The first air mail took off from the Parade Ground in February 18, 1911. It carried 6,500 letters and after 13 minutes it landed near the Central Jail in Naini,” said Kumar, adding Allahabad was the most suitable place for starting the postal service as it was situated between Kolkata and New Delhi and between Mumbai and New Delhi.

It may be mentioned here that a clergyman of the Holy Trinity Church, currently situated on Sarojini Naidu Marg, requested Englishman Walter Windham to participate in an exhibition on Parade Ground with his aircraft. There, Windham performed an aerial show to raise funds for the construction of a hostel. As a part of their contribution, a lot of people had also posted letters with postage stamps which were delivered to Naini.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Allahabad / Vinod Khanna, TNN / September 30th, 2014

UPSNA revives Akademi awards after 12 years

Lucknow:

The prestigious Uttar Pradesh Sangeet Natak Akademi (UPSNA) awards for music, dance and drama which were discontinued in 2003 have been revived. This was announced by UPSNA president Naved Siddiqui and secretary Veena Vidyarthi on Thursday.

“Besides a shawl and brass plaque, awardees will be given a purse money of Rs 10,001 on November 11,” said Siddiqui.

The past 12 years awards will be given in retrospect in two phases. To begin with, awards this year will be given for those entitled between 2003-2008 and in the next financial year the remaining till 2014 will be honored.

Out of the 115 entries, 66 have been shortlisted (11 artistes are awarded annually) to be honoured with Sangeet Natak Akademi awards and 12 for Ratan Sadasyata at the three-day fest from November 11-13 to mark the centenary of UPSNA.

Ratan Sadasyata will be given to Sulochana Brahaspati (classical music) and Hari Prasad Chaurasiya (flute) for 2003; N Rajan (violin) and Daya Prakash Sinha (stage drama) for 2004; Savita Devi (light classical music) and Rajan Mishr (classical music) for 2005; Chhannulal Mishra (classical music) and Anoop Jalota (light classical music) for 2006; Saadat Hussain (qawwali) and Anil Rastogi (drama) for 2007 and Mudra Rakshas (drama) and Wilayat Jaafri (drama) for 2008.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / TNN / October 10th, 2014