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Museum makes rare objects, artifacts available in printed images

Allahabad Museum has opened up its treasure trove of artifacts and rare objects for its visitors by making them available in printed images of the objects at Rs three to five. The decision was taken to attract the gen-next along with foreign and domestic tourists. At present, museum sells prototypes of the objects in its possession.

State governor, Ram Naik, also chairman of the museum, would start the scheme during a function at its auditorium on September 17. He would also release brochures and books related to the museum and its artifacts. Images of the rare objects available only with the museum are expected to help the students and researchers for history project work.

“The aim is not to increase the revenue of the museum but to arouse interest among youngsters about the museum objects. The images are available in glossy images and paintings in galleries so the price has been kept minimal,” said Rajesh Purohit. The museum would ensure that prototypes too remain within the low price range, he added.

Meanwhile, to make seminars, organised in the museum, more attractive, the museum officials have decided to put on display all the items related to the seminar in the galleries for visitors. As part of the initiative, in the upcoming seminar ‘Shiva in India’, the interiors of the museum would be decked up with various idols of Lord Shiva belonging to a different period.

“The move has been made to give a practical experience of the discussions in the seminar. The famous Lord Shiva idols and statues, belonging to different century, would be put on display in central hall for the seminar,” said Purohit.

The museum houses objects of historical and archaeological importance ranging from 100-years-old to 2000-years-old. Prominent among them are the terracotta objects excavated from nearby district of Kaushambi, Chandrasekhar Azad’s pistol and Nehru-Gandhi belongings among others.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Allahabad / Vinod Khanal, TNN / September 13th, 2014

Haj pilgrims opt for Bareilly’s surma

Bareilly :

Scores of Haj pilgrims across the world traveling to Mecca prefer to apply ‘Bareilly-wala surma’ (kohl manufactured in Bareilly) rather than the kohl prepared in other Asian and Arab countries.

A city-based manufacturer claimed that the demand for Bareilly’s surma increases by over 30% during Haj time as compared to other seasons.

The USP of Bareilly’s surma is that it is finely grinded and instantly provides cool comfort to the eyes, he says.

“While preparing surma, other manufacturers based in India and other countries use a grinder and other modern appliances for crushing the semi and precious stones. However, we still stick to our traditional method of using baton stone (sil batta) which helps us finely crush the metal or stone,” said M Haseen Hashmi (67), the manufacturer of Bareilly’s surma.

He claimed that it was his ancestors who made surma popular in the country after setting up their firm in 1794. Since then, generation after generation of Hashmi’s family has been producing surma. At present, hundreds of people in Bareilly work under him.

Even the baton stone used in the preparation of surma is unique. “The stone is black and it is available in Jaipur. The black stone crushes the metal into fine pieces but metal is unable to grind the black stone,” said Hashmi, as he recalled that it was the same black stone with which Shahjahan wanted to build a black Taj Mahal.

He added, “The main ingredient of Bareilly’s surma is the stone of Kohetoor mountain which is located in Egypt. From there, it is exported to India and we purchase it from traders.”

Shabbu Miyan, who is the manager of Khanquah-e-Niyaziya and younger brother of Sajjadanasheen, said, “It is mentioned in the holy Quran that applying surma extracted from the Kohetoor mountain is pious and good for eye-sight. Even Prophet Mohammed used to apply surma made from Kohetoor stone before going for prayers and sleeping.”

Though surma prepared in Bareilly is available in more than 80 varieties, a majority of Haj pilgrims from all over the world opt for surma gulab. “It is a general surma and can be applied by anyone,” said Hashmi. Apart from this, pilgrims prefer to apply ‘surma mamira 777’ and ‘sadi kajal’. ‘Surma mamira 777’ actually causes irritation in the eyes, but cleans all impurities, he claimed.

Sadi Kajal is for women and enhances the beauty of their eyes. The other popular variants help in curing diseases related to eye-sight like red spot in sclera (white area of eyes), eyes pain and also help in improving eye-sight, Hashmi claimed.

The manufacturer provides Bareilly’s surma to agents in Mumbai and Delhi who later export it to Arab countries. As pilgrims offer prayers at Mecca on Eid-ul-Adha or Bakri-Eid, the demand for the city-based surma soars by 30% three months before the festival.

Masqood Hasan, a timber businessman who will be leaving for Haj soon, said, “Applying surma is following Prophet Mohammed. As people across the country are attracted to Bareilly’s surma, I always get surma packed to gift it to my relatives and friends whom we meet during Haj.” Another Haj pilgrim, Shahida Mahmood (42) said, “Bareilly’s surma not only provides comfort but also protects the eyes from all diseases.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Bareilly / by Priyangi Agarwal, TNN / September 08th, 2014

First Muslim Woman to Enter Civil Services Awarded Padma

She broke the glass ceiling many a time, from being the first woman to enter any Class-I civil service to becoming the first IRS officer to be appointed as a UPSC member, to being the only woman to have worked in the Central Narcotics Department.

After donning multiple hats during her long career, it was another proud moment for Parveen Talha, when she was conferred the Padma Shri award on Saturday for her contribution to the Civil Services.

But the road to success wasn’t easy for Talha and her biggest hurdle was to overcome the anti-women mindset of her bosses at the initial stages of her career.

“It is indeed a proud moment for me but I am grateful to my bosses too. Though I had to initially deal with their anti-women mindset when I joined services 45 years ago, after a few years I was able to prove that I could handle the tricky jobs as efficiently as my male colleagues,” Talha told PTI.

70-year-old Talha joined the Indian Revenue Service (Customs and Central Excise) in 1969 where she worked for 35 years and was then picked up as a member of the Union Public Service Commission (UPSC) in 2004.

“Once my bosses began to trust in my capabilities, I started getting challenging assignments including posting as Deputy Narcotics Commissioner in Uttar Pradesh,” she said.

“There was a large-scale leakage of opium going on in UP then. While I tried my best to play a stringent officer dealing with certain illegal channels, poppy cultivators were surprised too because they had never seen a woman at that level,” she added.

By halting for days in the cultivation areas and delving deep into the processes of poppy cultivation from sowing to lancing and harvesting, she gathered foolproof intelligence which was put to good use by her hand-picked preventive parties.

During her posting in UP and Bihar in 1990s, she attached illegally acquired property worth millions of rupees belonging to smugglers and drug traffickers, risking her life.

While she was posted as the Director General Training in 2002, Talha provided strategic vision to the Department of Customs and Central Excise in evolving comprehensive packages of programmers for technical capacity building of all cadres and service providers.

Talha, who was honoured with the President Award for “Specially Distinguished Record of Service” in 2000, also has a penchant for writing.

She has written ‘Fida-e-Lucknow’, a collection of 22 short stories, besides writing the script for the serial ‘Husn-e-Jana’ directed by Muzaffar Ali.

“I find there are stories in every nook and corner that are waiting to be told. So I will pursue my passion for writing now that I am a retired person,” she said.

source: http://www.outlookindia.com / Outlook / Home> News / New Delhi – April 27th, 2014

Former Goa governor Fazal dies in UP at 92

Panaji:

Former Goa governor Mohammed Fazal and economist passed away at his residence in Allahabad, Uttar Pradesh, on Thursday. He was 92.

He was educated at the university of Allahabad and then at London school of economics. He was a senior member of the Planning Commission during 1980-85. In 1999, he was appointed governor of Goa and later as Maharashtra governor in 2002 and held the office till 2004.

Deputy chief minister and acting chief minster Francis D’Souza has expressed deep grief on the demise of Fazal.

In a condolence message, the D’Souza recalled his contribution to public life and prayed that the Almighty rest the departed soul in eternal peace and grant courage and strength to the bereaved family to bear the irreparable loss with fortitude.

Governor Mridula Sinha, has expressed deep grief over the sad demise of Mohammed Fazal, former governor of Goa and Maharashtra.

The governor has conveyed her heartfelt condolences and sympathy to the bereaved family.

Condoling the death of Fazal, the Goa Pradesh Congress committee in a statement said, “It was an honour to have known such a great person as he served Goa with utmost dignity,” adding that, “our heartfelt sympathies go out to his family”.

source: http://www.timesofindia.indiatimes.com / The Times of India / Hoem> City> Goa / TNN / September 05th, 2014

Kathak doyen’s abode housed in hellish neglect

Lucknow :

The house in which founder of Kathak Kendra of UP and winner President’s award Pandit Lachchhu Maharaj was born lies in a state of shocking neglect. Famous as Kalka Bindadin Maharaj ji ki Dyodi (Jhaulal ka Pul), the house where the legendary Kathak dancer and choreographer was born is in a miserable state, though the government once promised to turn it into a museum.

He hailed from an illustrious family of Kathak exponents in Lucknow (1907-1978), recipient of the prestigious President’s and Sangeet Natak Akademi award Lachhu Maharaj and also the founder director of the Kathak Kendra of Uttar Pradesh, the government of Uttar Pradesh has done absolutely nothing to keep his memories alive. Even the promise of turning his house into a museum made by the state government remains unfulfilled.

Kathak doyen’s nephew Pandit Birju Maharaj too said he had been trying hard to get the house converted into a tourist place but so far he has only received false promises from the parties in power.

“This year, I have requested the Chief Minister to consider with priority the proposal of preserving the house as a museum. I hope some positive results come out soon,” said Pandit Birju Maharaj.

Lachhu Maharaj’s first disciple in Lucknow, Kumkum Adarsh, a popular city-based Kathak dancer and the maestro’s niece Rameshwari Mishra too have been championing the cause. Speaking to TOI, Rameshwari Mishra, who lives in another portion of the same house, said “It gives me immense pain to see the pathetic condition of the house of the legendary artiste who contributed so much to the field of Awadh’s culture.”

She said around 15 years back, during its previous regime, Samajwadi Party mooted the idea of creating a museum in his name but nothing has been done so far.

“If you visit the government flat of Gulistan colony in which Lachchhu Maharaj breathed his last, you will find a rusted ‘sarkari taala’ on the door,” she added.

Kumkum Adarsh, who has been organising an award function in memory of her favorite mentor on his birth anniversary September 1 since 1998, feels her ustad has not been given the recognition he deserved in his home state.

“I am disappointed that no one has actually done anything to keep his memories alive and the pitiable state of the portion of the house he was born and lived in shows the government’s callous attitude,” she rued.

Besides his family and disciples, city-based historian Yogesh Pravin and short-story writer Aisha Siddiqui are also of the view that it is high time people came forward and took up the issue. “Even today there are hundreds of fans of Lachchhu Maharaj across the globe. I still recall how students who came from all over the country would say ‘hum maharaj ji ki dyodi ko choomna chahte hain”, said Yogesh Pravin. “The government must preserve the memories of legendary artists not only as a form of honour to the person but also so that the future generation remains attached to the city’s rich culture and heritage,” said Aisha Siddiqui.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> India / by Uzma Talha, TNN / September 01st, 2014

61 Mughal-era silver coins found in Kanpur

Representational Image RNA Research & Archives
Representational Image RNA Research & Archives

A total of sixty-one Mughal-era silver coins with Arabic inscriptions imprinted on them have been found from an earthen pot near the bank of river Ganga in Cantonment area in Kanpur.

The coins were found last evening when a few kids had gone to the river Ganga’s wharf in Cantonment area to take bath where they found an earthen pot filled with shining coins in it, police said.

Ram Kishan Das, a priest at the wharf, after knowing the incident, informed police and Army officials which then took the relics under its authority and has informed Archaeological Survey of India about the coins, Major CP Bhadola said.

ASI has conducted a search at the site and sent a preliminary report to their Lucknow office, an official said.

“The coins have some inscriptions on it in Arabic script, we are guessing that these might belong to the Mughal era,” ASI officer Manoj Verma said.

source: http://www.dnaindia.com / DNA / Home> News> India / Place: Kanpur, Agency: PTI / Saturday – September 13th, 2014

Clean & Clear Lucknow Times Fresh Face competition at Amity University in Lucknow

Clean&ClearLUCKNOW13sept2014

YEH DIL MANGE MORE: Clean & Clear Lucknow Times Fresh Face competition received an enthusiastic response at Amity University on Tuesday, and the fuchchas kept pouring in till the last minute to participate in it. In fact, some second year students too grabbed the chance to get up on stage to show their talent.

TWO MUCH FUN: It all started with a warm up session where emcee Maddy helped all the students relax. And once the freshers had got over their stage fright, there was no looking back. Ashmeet Kaur wooed everyone with her singing and sang two songs on public demand. Dikshay Gurung surprised everyone with his dancing skills, while Aviral Sen Saxena crooned an old romantic number and earned many cat calls and whistles from the girls.


WE ARE THE WINNERS:
Finally, it was the clear-skinned Ashmeet Kaur who was adjudged the winner, while fresh-faced Swapnil Singh and Supriya Singh were declared the first and second runners-up, respectively. Aviral Sen Saxena was declared the winner among the boys, while Joy Brath S Rawat and Dikshay Gurung were declared the first and second runners-up respectively. First year college students can register on itimes.com/freshface to participate. Remember, the two girls who win this contest get a chance to become the face of Clean & Clear!

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> Entertainment> Events> Lucknow / by Akash Wadhwa, TNN / September 12th, 2014

Ram Temple movement leader and Yogi Adityanath’s guru Avaidyanath passes away

SUMMARY
Former BJP MP Mahant Avaidyanath, who was one of the leading lights of the Ram Temple movement in Ayodhya, died
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Former BJP MP Mahant Avaidyanath, who was one of the leading lights of the Ram Temple movement in Ayodhya, died following prolonged illness in Gorakhpur Friday. He was also the former chief priest of Gorakhnath Temple and guru of BJP’s firebrand leader and Gorakhpur MP Yogi Adityanath.

Avaidyanath (95) was admitted to Medanta Hospital, Gurgaon, three months ago and was on ventilator for the past few days. He was moved to Guru Gorakhnath Hospital on the temple campus in Gorakhpur by an air-ambulance Friday evening. He died around 9 pm.

Adityanath accompanied Avaidyanath from Gurgaon to Gorakhpur.

Avaidyanath was elected MLA from Maniram Assembly segment five times – 1962, 1967, 1969, 1974 and 1977. He was elected Lok Sabha member from Gorakhpur as an Independent candidate in 1970 and won again in 1989 as candidate of Hindu Mahasabha. He was elected MP from the same seat in 1991 and 1996 as BJP nominee.

Adityanath took deekhsha from Avaidyanath in February 1994 who declared him as his successor.

Adityanath, too, won from Gorakhpur Lok Sabha seat for five consecutive terms.

Prime Minister Narendra Modi condoled the death of Avaidyanath, saying “he will be remembered for his patriotic zeal and determined efforts to serve society”.

“Saddened over the demise of Mahant Avaidyanath ji. He will be remembered for his patriotic zeal and determined efforts to serve society,” the Prime Minister said.

BJP state president Laxmikant Bajpai and general secretary (organisation) Sunil Bansal, too, expressed grief over Avaidyanath’s demise.

BJP spokesperson of Gorakhpur region Satyendra Sinha said the party has cancelled the two-day training camp of party workers of Gorakhpur region that was scheduled to begin in Kushi Nagar Saturday.

Satyendra said Avaidyanath’s body would be placed in the temple for public to pay tributes on Saturday.He will be buried on the temple campus Sunday according to the rituals of Sant Samaj.

source: http://www.financialexpress.com / The Financial Express / Home> Miscellaneous / Express News Service – Lucknow / September 13th, 2014

G.B. Pant University honors U.S. Chief Agricultural Negotiator Ambassador Islam A. Siddiqui

The G. B. Pant University of Agriculture and Technology in Pantnagar, Uttarakhand, today honored its former student, United States Chief Agricultural Negotiator Ambassador Islam A. Siddiqui, with an honorary degree of Doctor of Science. The degree was conferred upon Ambassador Siddiqui in recognition of his contributions to agricultural research and development, as well as agricultural trade policy development and his work’s influence on world agriculture.

“I feel humbled and honored at the same time to be receiving this honorary degree of Doctor of Science. Thousands of agricultural scientists, engineers, and veterinarians graduating from Pantnagar and sister universities provided the foot soldiers to make the Green Revolution a reality. This massive technology transfer of modern agricultural practices – combining education, research, and extension — turned India from a net food importing country to a food exporting nation. As a student of the first batch of this great institution when it opened its doors 51 years ago, I had not imagined in my wildest dreams that one day I would receive this prestigious award.”

Ambassador Siddiqui was born in Haldwani, Uttar Pradesh and attended G.B. Pant University before taking a scholarship at the University of Illinois in the United States. Throughout his career, he has advocated for international cooperation, technology transfer, capacity building, and new technology development to achieve food security in the 21st century.

source: http://www.newdelhi.usembassy.gov / Embassy of the United States, New Delhi, India / Home> News & Events> Press Releases / New Delhi – May 20th, 2011

Lucknow’s art just for art’s sake?

Art exhibitions in the city have become popular spots for hobnobbing, but no one is interested in buying art there

Lucknowites take great pride in the thriving arts and culture scene in the city. Art exhibitions by local painters and sculptors are a regular feature on the city’s social calendar. But while everyone wants to be seen at these events, no one wants to buy art from them, rue local artists.

`THE AVERAGE SALE OF ART WORKS IS NOT EVEN ONE PER EXHIBITION’

Laljeet Aheer, Chairman, State Lalit Kala Akademi at Lal Baradari, says the ratio of exhibitions organised to art works sold is dismally poor. “On an average, if 30 exhibitions happen at State Lalit Kala Akademi in Lucknow every year, not even 10 paintings are sold through them,” he says, adding, “I am a sculptor too, and have been in this field for 30 years, but nothing has changed as far people’s attitude towards art goes. People come to exhibitions to meet each other, see the work, but don’t want to buy them.”

A fact corroborated by every single person related to the field.”The average sale of art works is not even one per exhibition!” says Bhupendra Asthana, an artist who now organises exhibitions in Lucknow for other artists. “People in Lucknow will spend lakhs in buying a painting from Delhi, but will not spend half of that money in buying a work from Lucknow, even though it might be better,” adds Asthana.

`IN UP PEOPLE CONSIDER ART AS SOMETHING TO BE GIFTED’

Art curators and artists in Lucknow try to explain the reason for the poor sales of art works at exhibitions. Rajendra Prasad, Head of the Painting Department at the Arts College, Lucknow, feels city folk do not quite value art in the way that they should. “Also, I have noticed that people prefer to purchase paintings from exhibitions in Delhi or Mumbai, but underestimate the talent of local artists, who get a good response if they display their works outside UP,” he says.

“In UP people consider art as something to be gifted, they don’t understand that it’s the passion of an artist that should be valued ,” rues Anurag Didwania, director of Kala Srot Art Gallery and Art Centre that was recently launched in the city , and adds, “I know private art galleries in the city have had to close down eventually, due to losses. But I still took the risk of starting one of my own in Lucknow. We have bookings for exhibitions in coming months and until now we have had two painting exhibitions, but not a single painting was sold from them, even though they received due appreciation from visitors.”

`IF AN ARTIST DEVOTES A MONTH’S TIME IN MAKING A PAINTING, IS THAT JUST WORTH `5,000?’

“Even the paintings that are sold at exhibitions are the ones that are priced very low,” points out Prasad, “mostly in the range of `5,000-`10,000. Sometimes, a client wants a portrait of his done, or an interior decorator places an order for 20 landscapes.So that has become the source of income for artists in the city .”

A very discouraging trend for artists, feels Praveen Sharma, program coordinator at Lalit Kala Akademi Regional Centre, located in Aliganj. Sharma says, “If an artist devotes a month’s time in making a painting, he is giving everything to it – from time to emotion to experience.Is that just worth `5,000?” He also adds that most of the purchases from exhibitions are by corporate houses and industrialists. “Otherwise, Lucknow just does not have a market for art at all. In fact, all of UP is the same. That is why private galleries here cannot sustain themselves and have to shut down; even the Regional Centre runs on funding by the central government. Who can run a centre like this on a rent of `3,000 per exhibition? It’s impossible,” he states.

`BAAT KIYA, PAINTINGS DEKHI AUR CHALTE BANE’

But if no one is intersted in buying art in Lucknow, why are the inaugurations of these exhibitions so well-attended? “For many it has become a spot to socialize and get clicked,” says Bhupendra Asthana, and adds, “On the inaugural day, an exhibition witnesses a large gathering but from the second day , you will notice very few people coming in for it. There were instances when artists coming from other states had to wind up the exhibition before the scheduled closing day , owing to low turnout.”

Agrees Prasad and shares, “People come in full strength on the first day of the exhibition, it is like a fun gathering for them, ki baat kiya, paintings dekhi aur chalte bane.People need to look beyond that, art needs appreciation and the interest of people.”

`THERE IS NO TRUST BETWEEN AN ARTIST AND BUYER HERE’

But not everybody feels that Lucknow lacks an eye for art. Alok Kumar, a renowned painter from the city , says the quality of work displayed at local exhibitions is also to be blamed for the poor response. “We are unable to develop the taste for quality work among people here. Most of the exhibitions are by amateur artists, and people get to see only copied or low quality work, so why will a buyer want to invest money in such art? The established artists prefer to exhibit their works outside UP , as there is no trust between an artist and buyer here. I have done 40 exhibitions in these 25 years, and out of them only five were in Lucknow. The others were in major cities like Delhi, Mumbai, Jaipur, Bangalore, Kolkata and the foreign countries,” he shares.

Not many artists are as lucky as Alok Kumar. Sudheer Sharma, a sculptor who passed out of the Arts College in 1993 rues, “I could not continue my passion for art, and had to take up a government job to run my livelihood. I have done 6-7 exhibitions in the city but not a single work was sold. Then I started taking orders to make sculptures for hotels, political parties etc. I am getting decentlly paid for that.”

`NEED TO CREATE A MARKET FOR ART’

Jayant Krishna, who is a frequent guest at art exhibitions in the city , says there needs to be greater awareness created about art as an investment. “I have bought around 12 paintings in the last five years from exhibitions in the city, and believe we have ample potential here; we just need to create a market for it.”

Prof Rakesh Chandra, another regular at art soirees echoes Krishna’s opinion. “We need to develop the understanding of art as an investment, which over the years cities like Mumbai and Baroda have successfully developed. I believe government, banks and private firms should come forward to initiate the culture of buying art work from art galleries in the city,” he says.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / Renu Singh, TNN / September 09th, 2014